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Bibliographic Details
Main Author: Jossianna Arroyo
Format: Artículo científico
Language:en
Published: The City University of New York 2003
Subjects:
Online Access:https://www.redalyc.org/articulo.oa?id=37715203
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author Jossianna Arroyo
author_facet Jossianna Arroyo
contents Sirena canta boleros: travestismo y sujetos transcaribeños en Sirena Selena vestida de pena Jossianna Arroyo Sociología Migration Dominicans transvestism cultural drag Caribbean identities This essay provides an analysis of Mayra Santos-Febres’s novel Sirena Selena vestidade pena (2000) by way of investigating the economic and subjective transformationsof a Caribbean subject. My reading of the text addresses the “failure” on the part ofthe critics to notice the representation of Dominicans in the novel, as well as theconstruction of a transcaribbean subject—whose borders are articulated in thetransvestite stance—through the migratory, economic, and subjective crossingsthat occur in these relations. By looking at these migratory crossings in theHispanic Caribbean (between Puerto Rico and the Dominican Republic and viceversa), the uses of the body, voice, and sexuality, as well as how they move towardsthe formulation of a new identity, I propose a reading of the subject best definedas “postnational”, since it breaks away from the traditional definitions of the“Puerto Rican” or “Dominican” nation. This transcultural gesture, the “cultural drag”,characteristic of all contexts where colonial relations exist, offers an interestingapproach for the reading of many contemporary and modern narratives in theHispanic Caribbean that cannot be read as “postmodern” in the strictest sensesince, due to their historical reality, they include transnational cultures andcommunities that participate in and are afected by the global economy. In thenovel, both Puerto Ricans and Dominicans are part of this circuit thatarticulates new identities. How is a “new” subject constructed through theseexchange economies and migrations? 2003 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37715203 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XV
format Artículo científico
id redalyc_37715203
language en
publishDate 2003
publisher The City University of New York
spellingShingle Sirena canta boleros: travestismo y sujetos transcaribeños en Sirena Selena vestida de pena
Jossianna Arroyo
Sociología
Migration
Dominicans
transvestism
cultural drag
Caribbean identities
Sirena canta boleros: travestismo y sujetos transcaribeños en Sirena Selena vestida de pena Jossianna Arroyo Sociología Migration Dominicans transvestism cultural drag Caribbean identities This essay provides an analysis of Mayra Santos-Febres’s novel Sirena Selena vestidade pena (2000) by way of investigating the economic and subjective transformationsof a Caribbean subject. My reading of the text addresses the “failure” on the part ofthe critics to notice the representation of Dominicans in the novel, as well as theconstruction of a transcaribbean subject—whose borders are articulated in thetransvestite stance—through the migratory, economic, and subjective crossingsthat occur in these relations. By looking at these migratory crossings in theHispanic Caribbean (between Puerto Rico and the Dominican Republic and viceversa), the uses of the body, voice, and sexuality, as well as how they move towardsthe formulation of a new identity, I propose a reading of the subject best definedas “postnational”, since it breaks away from the traditional definitions of the“Puerto Rican” or “Dominican” nation. This transcultural gesture, the “cultural drag”,characteristic of all contexts where colonial relations exist, offers an interestingapproach for the reading of many contemporary and modern narratives in theHispanic Caribbean that cannot be read as “postmodern” in the strictest sensesince, due to their historical reality, they include transnational cultures andcommunities that participate in and are afected by the global economy. In thenovel, both Puerto Ricans and Dominicans are part of this circuit thatarticulates new identities. How is a “new” subject constructed through theseexchange economies and migrations? 2003 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37715203 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XV
title Sirena canta boleros: travestismo y sujetos transcaribeños en Sirena Selena vestida de pena
topic Sociología
Migration
Dominicans
transvestism
cultural drag
Caribbean identities
url https://www.redalyc.org/articulo.oa?id=37715203