The Year 1898 in the Music of the Caribbean: Cuba and Puerto Rico in the Machinations of the U.S. Music Industry

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Autore principale: Leonardo Acosta
Natura: Artículo científico
Lingua:en
Pubblicazione: The City University of New York 2004
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author Leonardo Acosta
author_facet Leonardo Acosta
contents The Year 1898 in the Music of the Caribbean: Cuba and Puerto Rico in the Machinations of the U.S. Music Industry Leonardo Acosta Sociología 1898 New York Caribbean music commercialization Puerto Rican music This paper analyses the impact that 1898, withthe subsequent occupation and intervention inCuban affairs and the occupation and treatmentof Puerto Rico as a colony by the United States,had on the music of these Caribbean nations.Among the key factors discussed that affectedmusical production are the commercialization ofmusic by American recording corporations andthe massive migration of musicians, especiallyPuerto Rican musicians, to the United States.New York, like the Caribbean before it, wouldbecome the an entrepôt for musicians and musicalstyles, especially for Puerto Ricans. Out of thisfertile mix new musical styles, such as salsa andLatin jazz, would be created. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716102 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.1 Vol.XVI
format Artículo científico
id redalyc_37716102
institution Redalyc
language en
publishDate 2004
publisher The City University of New York
spellingShingle The Year 1898 in the Music of the Caribbean: Cuba and Puerto Rico in the Machinations of the U.S. Music Industry
Leonardo Acosta
Sociología
1898
New York
Caribbean music
commercialization
Puerto Rican music
The Year 1898 in the Music of the Caribbean: Cuba and Puerto Rico in the Machinations of the U.S. Music Industry Leonardo Acosta Sociología 1898 New York Caribbean music commercialization Puerto Rican music This paper analyses the impact that 1898, withthe subsequent occupation and intervention inCuban affairs and the occupation and treatmentof Puerto Rico as a colony by the United States,had on the music of these Caribbean nations.Among the key factors discussed that affectedmusical production are the commercialization ofmusic by American recording corporations andthe massive migration of musicians, especiallyPuerto Rican musicians, to the United States.New York, like the Caribbean before it, wouldbecome the an entrepôt for musicians and musicalstyles, especially for Puerto Ricans. Out of thisfertile mix new musical styles, such as salsa andLatin jazz, would be created. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716102 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.1 Vol.XVI
title The Year 1898 in the Music of the Caribbean: Cuba and Puerto Rico in the Machinations of the U.S. Music Industry
topic Sociología
1898
New York
Caribbean music
commercialization
Puerto Rican music
url https://www.redalyc.org/articulo.oa?id=37716102