Perspecitves on “Salsa”

Fuente: Redalyc
Guardado en:
Detalles Bibliográficos
Autor principal: Leonardo Acosta
Formato: Artículo científico
Lenguaje:en
Publicado: The City University of New York 2004
Materias:
Acceso en línea:
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
_version_ 1876427389182935040
author Leonardo Acosta
author_facet Leonardo Acosta
contents Perspecitves on “Salsa” Leonardo Acosta Sociología salsa change tradition Cuban music Puerto Rican music In this article, the author—a renowned Cubanwriter on popular music—provides a helpful andbalanced overview of the debate on the meaningand historical place of salsa. He gives a clearsense of the centrality of Cuban rhythmic traditions,particularly the son montuno, as well as thecrucial role played by Puerto Rican musiciansand the social base of the New York PuertoRican community. While accounting for salsa’smultiple dimensions and international reach,Acosta forcefully dispels the widely-held viewthat salsa is a strict and unaltered continuationCuban musical traditions, or that its creativeorigins are to be located in the Caribbean ratherthan in the Puerto Rican and Latino communitiesof the urban U.S. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716202 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI
format Artículo científico
id redalyc_37716202
institution Redalyc
language en
publishDate 2004
publisher The City University of New York
spellingShingle Perspecitves on “Salsa”
Leonardo Acosta
Sociología
salsa
change
tradition
Cuban music
Puerto Rican music
Perspecitves on “Salsa” Leonardo Acosta Sociología salsa change tradition Cuban music Puerto Rican music In this article, the author—a renowned Cubanwriter on popular music—provides a helpful andbalanced overview of the debate on the meaningand historical place of salsa. He gives a clearsense of the centrality of Cuban rhythmic traditions,particularly the son montuno, as well as thecrucial role played by Puerto Rican musiciansand the social base of the New York PuertoRican community. While accounting for salsa’smultiple dimensions and international reach,Acosta forcefully dispels the widely-held viewthat salsa is a strict and unaltered continuationCuban musical traditions, or that its creativeorigins are to be located in the Caribbean ratherthan in the Puerto Rican and Latino communitiesof the urban U.S. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716202 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI
title Perspecitves on “Salsa”
topic Sociología
salsa
change
tradition
Cuban music
Puerto Rican music
url https://www.redalyc.org/articulo.oa?id=37716202