Yo tengo sentido, tengo rima: Cano Estremera and the Art of the Soneo
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Redalyc
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
The City University of New York
2004
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| _version_ | 1876456529732829184 |
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| author | Benjamin Lapidus |
| author_facet | Benjamin Lapidus |
| contents | Yo tengo sentido, tengo rima: Cano Estremera and the Art of the Soneo Benjamin Lapidus Sociología salsa music soneo singers vocalists Calling himself El dueño del soneo, the boss of vocalimprovisation, the Puerto Rican singer, Carlos CanoEstremera, is at the forefront of many innovationsin soneos. For the uninitiated, a soneo is a vocal improvisationsung by a lead singer during the montuno, orcall-and-response section in Afro-Cuban son-basedmusics, commercially referred to as salsa. As he isalways up for a good duel, planned or unforseen, theresults of Canos duelos have been recorded both legallyand illegally and spread throughout the world bysalsa fans. Through conversations with Cano and alook at several techniques he uses when improvising,this article shows Cano Esteremeras improvisationalframework to be a synthesis of previous soneros as wellas singers and musicians from beyond the realm ofsalsa. His style can be summed up as unique andcreative while remaining in the tradition. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716212 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI |
| format | Artículo científico |
| id | redalyc_37716212 |
| institution | Redalyc |
| language | en |
| publishDate | 2004 |
| publisher | The City University of New York |
| spellingShingle | Yo tengo sentido, tengo rima: Cano Estremera and the Art of the Soneo Benjamin Lapidus Sociología salsa music soneo singers vocalists Yo tengo sentido, tengo rima: Cano Estremera and the Art of the Soneo Benjamin Lapidus Sociología salsa music soneo singers vocalists Calling himself El dueño del soneo, the boss of vocalimprovisation, the Puerto Rican singer, Carlos CanoEstremera, is at the forefront of many innovationsin soneos. For the uninitiated, a soneo is a vocal improvisationsung by a lead singer during the montuno, orcall-and-response section in Afro-Cuban son-basedmusics, commercially referred to as salsa. As he isalways up for a good duel, planned or unforseen, theresults of Canos duelos have been recorded both legallyand illegally and spread throughout the world bysalsa fans. Through conversations with Cano and alook at several techniques he uses when improvising,this article shows Cano Esteremeras improvisationalframework to be a synthesis of previous soneros as wellas singers and musicians from beyond the realm ofsalsa. His style can be summed up as unique andcreative while remaining in the tradition. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716212 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI |
| title | Yo tengo sentido, tengo rima: Cano Estremera and the Art of the Soneo |
| topic | Sociología salsa music soneo singers vocalists |
| url | https://www.redalyc.org/articulo.oa?id=37716212 |