Everything you’ve ever heard, and nothing you’ve ever heard: Ricanstruction, New-Nuyorican Punk Activists

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Autor principal: Jorge Arévalo Mateus
Formato: Artículo científico
Lenguaje:en
Publicado: The City University of New York 2004
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author Jorge Arévalo Mateus
author_facet Jorge Arévalo Mateus
contents Everything you’ve ever heard, and nothing you’ve ever heard: Ricanstruction, New-Nuyorican Punk Activists Jorge Arévalo Mateus Sociología music identity politics activism Nuyorican Despite recent scholarly interventions into thecultural production of contemporary PuertoRican popular music, few works have analyzedalternative local practices or the politicalactivism by and within the Nuyorican youthcommunity. Even less examined is the impact ofso-called “white” musical genres and popularculture (i.e. punk rock) on Boricua identityconstruction. This essay recognizes the subjectivitiesof a Nuyorican punk band in order todiscuss the negotiations and strategies used forrecapturing and redefining identity. In thecontext of cosmopolitan, translocal, and hybridpuertorriqueño cultural praxis, such urban manifestationssuggest the formation of a newNuyorican social and political consciousness andthe recuperation and maintenance of PuertoRican activism. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716216 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI
format Artículo científico
id redalyc_37716216
institution Redalyc
language en
publishDate 2004
publisher The City University of New York
spellingShingle Everything you’ve ever heard, and nothing you’ve ever heard: Ricanstruction, New-Nuyorican Punk Activists
Jorge Arévalo Mateus
Sociología
music
identity
politics
activism
Nuyorican
Everything you’ve ever heard, and nothing you’ve ever heard: Ricanstruction, New-Nuyorican Punk Activists Jorge Arévalo Mateus Sociología music identity politics activism Nuyorican Despite recent scholarly interventions into thecultural production of contemporary PuertoRican popular music, few works have analyzedalternative local practices or the politicalactivism by and within the Nuyorican youthcommunity. Even less examined is the impact ofso-called “white” musical genres and popularculture (i.e. punk rock) on Boricua identityconstruction. This essay recognizes the subjectivitiesof a Nuyorican punk band in order todiscuss the negotiations and strategies used forrecapturing and redefining identity. In thecontext of cosmopolitan, translocal, and hybridpuertorriqueño cultural praxis, such urban manifestationssuggest the formation of a newNuyorican social and political consciousness andthe recuperation and maintenance of PuertoRican activism. 2004 artículo científico 1538-6279 https://www.redalyc.org/articulo.oa?id=37716216 en http://www.redalyc.org/revista.oa?id=377 Centro Journal application/pdf The City University of New York Centro Journal (Estados Unidos de América) Num.2 Vol.XVI
title Everything you’ve ever heard, and nothing you’ve ever heard: Ricanstruction, New-Nuyorican Punk Activists
topic Sociología
music
identity
politics
activism
Nuyorican
url https://www.redalyc.org/articulo.oa?id=37716216