Dogeared Hate: Yilmaz Arslan’s Brudermord/Fratricide (2005), a new type of Heimatfilm
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Redalyc
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| Natura: | Artículo científico |
| Lingua: | en |
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Universidade de São Paulo
2016
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| _version_ | 1876457752563286016 |
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| author | Lesley C. Pleasant |
| author_facet | Lesley C. Pleasant |
| contents | Dogeared Hate: Yilmaz Arslan’s Brudermord/Fratricide (2005), a new type of Heimatfilm Lesley C. Pleasant Lengua y Literatura Heimat Kurdish immigration Turkish conflict transnational film Abstract: This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan’s Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan’s film self-reflexively posits transnational Heimat film as a possible bridge between “Others”, as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. 2016 artículo científico 1982-8837 https://www.redalyc.org/articulo.oa?id=386645200003 en http://www.redalyc.org/revista.oa?id=3866 Pandaemonium Germanicum. Revista de Estudos Germanísticos application/pdf Universidade de São Paulo Pandaemonium Germanicum. Revista de Estudos Germanísticos (Brasil) Num.27 Vol.19 |
| format | Artículo científico |
| id | redalyc_386645200003 |
| institution | Redalyc |
| language | en |
| publishDate | 2016 |
| publisher | Universidade de São Paulo |
| spellingShingle | Dogeared Hate: Yilmaz Arslan’s Brudermord/Fratricide (2005), a new type of Heimatfilm Lesley C. Pleasant Lengua y Literatura Heimat Kurdish immigration Turkish conflict transnational film Dogeared Hate: Yilmaz Arslan’s Brudermord/Fratricide (2005), a new type of Heimatfilm Lesley C. Pleasant Lengua y Literatura Heimat Kurdish immigration Turkish conflict transnational film Abstract: This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan’s Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimatfilm of the German margin. Arslan’s film self-reflexively posits transnational Heimat film as a possible bridge between “Others”, as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays. 2016 artículo científico 1982-8837 https://www.redalyc.org/articulo.oa?id=386645200003 en http://www.redalyc.org/revista.oa?id=3866 Pandaemonium Germanicum. Revista de Estudos Germanísticos application/pdf Universidade de São Paulo Pandaemonium Germanicum. Revista de Estudos Germanísticos (Brasil) Num.27 Vol.19 |
| title | Dogeared Hate: Yilmaz Arslan’s Brudermord/Fratricide (2005), a new type of Heimatfilm |
| topic | Lengua y Literatura Heimat Kurdish immigration Turkish conflict transnational film |
| url | https://www.redalyc.org/articulo.oa?id=386645200003 |