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| Auteur principal: | |
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| Format: | Artículo científico |
| Langue: | en |
| Publié: |
Universidade de São Paulo
2017
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| Accès en ligne: | https://www.redalyc.org/articulo.oa?id=405652965001 https://www.redalyc.org/journal/4056/405652965001/ https://www.redalyc.org/journal/4056/405652965001/html/ https://www.redalyc.org/journal/4056/405652965001/405652965001.epub https://www.redalyc.org/journal/4056/405652965001/movil |
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Table des matières:
- Graphs, charts, maps: plotting the global history of modern art Béatrice Joyeux-Prunel Lengua y Literatura Global art history modernist narratives transnational art history quantitative and cartographical approach sources and methodologies in the history of art Many new philosophical tendencies incite us to renew the methodologies of art history in order to decolonize her foremost narrative: the modernist canon. To this end, this paper explores how quantitative, cartographic, and statistical approaches, combined with more traditional modes of inquiry, can help us to reconsider existing hierarchies in the art historical field. Used to analyze large bodies of similar sources, namely exhibition catalogues and journals, over long time spans and at global scales, “distant reading” is useful in the construction of a coherent and global historical narrative of the geopolitics of modernities and their social dimensions, where complexity is restored and where the agency of artistic circulation finds a place. 2017 artículo científico 0020-3874 https://www.redalyc.org/articulo.oa?id=405652965001 https://www.redalyc.org/journal/4056/405652965001/ https://www.redalyc.org/journal/4056/405652965001/html/ https://www.redalyc.org/journal/4056/405652965001/405652965001.epub https://www.redalyc.org/journal/4056/405652965001/movil 10.11606/issn.2316-901X.v0i67p17-37 en http://www.redalyc.org/revista.oa?id=4056 Revista do Instituto de Estudos Brasileiros application/pdf Universidade de São Paulo Revista do Instituto de Estudos Brasileiros (Brasil) Num.67