Cine-weapon. The poiesis of filming and fishing
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Associação Brasileira de Antropologia
2012
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| _version_ | 1876475160985337856 |
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| author | Carlos Emanuel Sautchuk |
| author_facet | Carlos Emanuel Sautchuk |
| contents | Cine-weapon. The poiesis of filming and fishing Carlos Emanuel Sautchuk Antropología image Amazon Fishing hunting visual anthropology This paper discusses the use of moving images in the anthropology of technique, specifically, the ethnographic recording of the capture with harpoon of arapaima fish in the coastal lakes of Amapá, in the Brazilian Amazon. Inspired in Rouch’s notion of cine-trance, I ponder on the possibility of doing ethnography by intertwining the technical processes of capturing that fish and capturing images. I also describe the way in which I take the relationship between the movie camera and the harpoon – their rhythms and properties – as a helpful tool to describe the major features of the dialogical interaction between harpooner and fish, namely, the harpooner-harpoon link, the perception of signals emitted by the fish, and the meaning of the capturing gesture. 2012 artículo científico 1809-4341 https://www.redalyc.org/articulo.oa?id=406941914015 en http://www.redalyc.org/revista.oa?id=4069 VIBRANT - Vibrant Virtual Brazilian Anthropology application/pdf Associação Brasileira de Antropologia VIBRANT - Vibrant Virtual Brazilian Anthropology (Brasil) Num.2 Vol.9 |
| format | Artículo científico |
| id | redalyc_406941914015 |
| institution | Redalyc |
| language | en |
| publishDate | 2012 |
| publisher | Associação Brasileira de Antropologia |
| spellingShingle | Cine-weapon. The poiesis of filming and fishing Carlos Emanuel Sautchuk Antropología image Amazon Fishing hunting visual anthropology Cine-weapon. The poiesis of filming and fishing Carlos Emanuel Sautchuk Antropología image Amazon Fishing hunting visual anthropology This paper discusses the use of moving images in the anthropology of technique, specifically, the ethnographic recording of the capture with harpoon of arapaima fish in the coastal lakes of Amapá, in the Brazilian Amazon. Inspired in Rouch’s notion of cine-trance, I ponder on the possibility of doing ethnography by intertwining the technical processes of capturing that fish and capturing images. I also describe the way in which I take the relationship between the movie camera and the harpoon – their rhythms and properties – as a helpful tool to describe the major features of the dialogical interaction between harpooner and fish, namely, the harpooner-harpoon link, the perception of signals emitted by the fish, and the meaning of the capturing gesture. 2012 artículo científico 1809-4341 https://www.redalyc.org/articulo.oa?id=406941914015 en http://www.redalyc.org/revista.oa?id=4069 VIBRANT - Vibrant Virtual Brazilian Anthropology application/pdf Associação Brasileira de Antropologia VIBRANT - Vibrant Virtual Brazilian Anthropology (Brasil) Num.2 Vol.9 |
| title | Cine-weapon. The poiesis of filming and fishing |
| topic | Antropología image Amazon Fishing hunting visual anthropology |
| url | https://www.redalyc.org/articulo.oa?id=406941914015 |