The Dramaturgy of the Body in the Indian Theater as a Visible Poetry

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Bibliographic Details
Main Author: Ricardo Carlos Gomes
Format: Artículo científico
Language:en
Published: Universidade Federal do Rio Grande do Sul 2017
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author Ricardo Carlos Gomes
author_facet Ricardo Carlos Gomes
contents The Dramaturgy of the Body in the Indian Theater as a Visible Poetry Ricardo Carlos Gomes Priscilla de Queiroz Duarte Arte Orissi Theatre Kathakali Actor's Craft Interculturalism This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the 20th century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of the word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective. 2017 artículo científico 2237-2660 https://www.redalyc.org/articulo.oa?id=463550151018 https://www.redalyc.org/journal/4635/463550151018/ https://www.redalyc.org/journal/4635/463550151018/html/ https://www.redalyc.org/journal/4635/463550151018/463550151018.epub https://www.redalyc.org/journal/4635/463550151018/movil 10.1590/2237-266063654 en http://www.redalyc.org/revista.oa?id=4635 Revista Brasileira de Estudos da Presença [Brazilian Journal on Presence Studies] application/pdf Universidade Federal do Rio Grande do Sul Revista Brasileira de Estudos da Presença [Brazilian Journal on Presence Studies] (Brasil) Num.1 Vol.7
format Artículo científico
id redalyc_463550151018
institution Redalyc
language en
publishDate 2017
publisher Universidade Federal do Rio Grande do Sul
spellingShingle The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
Ricardo Carlos Gomes
Arte
Orissi
Theatre
Kathakali
Actor's Craft
Interculturalism
The Dramaturgy of the Body in the Indian Theater as a Visible Poetry Ricardo Carlos Gomes Priscilla de Queiroz Duarte Arte Orissi Theatre Kathakali Actor's Craft Interculturalism This article intends to analyze the concept of dṛśya kāvya (visible poetry) from the Indian scenic tradition, as a proposal to a dramaturgy of the body. Starting from the impact that the Asian scenic tradition caused in the European theater in the 20th century, we will examine some concepts and acting techniques from the Indian classical dance-theater (specially Orissi and Kathakali), which are based in the translation of the word into physical gesture. We also question the relevance of this discussion to a theater seeking to distance itself from a logocentric model, in an intercultural perspective. 2017 artículo científico 2237-2660 https://www.redalyc.org/articulo.oa?id=463550151018 https://www.redalyc.org/journal/4635/463550151018/ https://www.redalyc.org/journal/4635/463550151018/html/ https://www.redalyc.org/journal/4635/463550151018/463550151018.epub https://www.redalyc.org/journal/4635/463550151018/movil 10.1590/2237-266063654 en http://www.redalyc.org/revista.oa?id=4635 Revista Brasileira de Estudos da Presença [Brazilian Journal on Presence Studies] application/pdf Universidade Federal do Rio Grande do Sul Revista Brasileira de Estudos da Presença [Brazilian Journal on Presence Studies] (Brasil) Num.1 Vol.7
title The Dramaturgy of the Body in the Indian Theater as a Visible Poetry
topic Arte
Orissi
Theatre
Kathakali
Actor's Craft
Interculturalism
url https://www.redalyc.org/articulo.oa?id=463550151018
https://www.redalyc.org/journal/4635/463550151018/
https://www.redalyc.org/journal/4635/463550151018/html/
https://www.redalyc.org/journal/4635/463550151018/463550151018.epub
https://www.redalyc.org/journal/4635/463550151018/movil