INDIGENOUS: IT DEPENDS HOW YOU LOOK AT IT. WHAT YOU CALL IT. HOW YOU LIVE IT
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| Format: | Artículo científico |
| Sprache: | en |
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Universidade Federal de Santa Catarina
2014
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| _version_ | 1876433719010525184 |
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| author | Laura Beard |
| author_facet | Laura Beard |
| contents | INDIGENOUS: IT DEPENDS HOW YOU LOOK AT IT. WHAT YOU CALL IT. HOW YOU LIVE IT Laura Beard Daniel Hopkins Lengua y Literatura identity Indigenous performance Rebecaa Belmore Spiderwoman Theatre In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. 2014 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478347656002 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.67 |
| format | Artículo científico |
| id | redalyc_478347656002 |
| institution | Redalyc |
| language | en |
| publishDate | 2014 |
| publisher | Universidade Federal de Santa Catarina |
| spellingShingle | INDIGENOUS: IT DEPENDS HOW YOU LOOK AT IT. WHAT YOU CALL IT. HOW YOU LIVE IT Laura Beard Lengua y Literatura identity Indigenous performance Rebecaa Belmore Spiderwoman Theatre INDIGENOUS: IT DEPENDS HOW YOU LOOK AT IT. WHAT YOU CALL IT. HOW YOU LIVE IT Laura Beard Daniel Hopkins Lengua y Literatura identity Indigenous performance Rebecaa Belmore Spiderwoman Theatre In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work. 2014 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478347656002 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.67 |
| title | INDIGENOUS: IT DEPENDS HOW YOU LOOK AT IT. WHAT YOU CALL IT. HOW YOU LIVE IT |
| topic | Lengua y Literatura identity Indigenous performance Rebecaa Belmore Spiderwoman Theatre |
| url | https://www.redalyc.org/articulo.oa?id=478347656002 |