GAYL JONES’S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC

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1. Verfasser: María Rocío Cobo Piñero
Format: Artículo científico
Sprache:en
Veröffentlicht: Universidade Federal de Santa Catarina 2014
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author María Rocío Cobo Piñero
author_facet María Rocío Cobo Piñero
contents GAYL JONES’S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC María Rocío Cobo Piñero Lengua y Literatura diaspora Gayl Jones classic blues black feminism historical revision In this article I analyze how black music may be used to (re)interpret the legacy of slavery in Gayl Jones’s literary works Corregidora (1975) and Song for Anninho (1981). I argue that female Classic Blues from the 1920s functions as a testimony of resistance and as a means to recount the stories featured in these two texts. The U.S. black author uses the cadences, themes, and tropes of the blues in order to decode female versions of the black diaspora in the Americas. In addition, by setting her literary work in Brazil, Jones establishes an inter-American dialogue and imagines polyphonic and syncretic spaces where the blues is the model for historical revision. Inscribing my study within the theoretical frame of black feminist cultural studies, I emphasize the importance of the first person enunciative voice in female blues, as well as in the texts selected. 2014 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478347656004 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.67
format Artículo científico
id redalyc_478347656004
institution Redalyc
language en
publishDate 2014
publisher Universidade Federal de Santa Catarina
spellingShingle GAYL JONES’S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC
María Rocío Cobo Piñero
Lengua y Literatura
diaspora
Gayl Jones
classic blues
black feminism
historical revision
GAYL JONES’S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC María Rocío Cobo Piñero Lengua y Literatura diaspora Gayl Jones classic blues black feminism historical revision In this article I analyze how black music may be used to (re)interpret the legacy of slavery in Gayl Jones’s literary works Corregidora (1975) and Song for Anninho (1981). I argue that female Classic Blues from the 1920s functions as a testimony of resistance and as a means to recount the stories featured in these two texts. The U.S. black author uses the cadences, themes, and tropes of the blues in order to decode female versions of the black diaspora in the Americas. In addition, by setting her literary work in Brazil, Jones establishes an inter-American dialogue and imagines polyphonic and syncretic spaces where the blues is the model for historical revision. Inscribing my study within the theoretical frame of black feminist cultural studies, I emphasize the importance of the first person enunciative voice in female blues, as well as in the texts selected. 2014 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478347656004 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.67
title GAYL JONES’S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC
topic Lengua y Literatura
diaspora
Gayl Jones
classic blues
black feminism
historical revision
url https://www.redalyc.org/articulo.oa?id=478347656004