TEXTUAL APPROPRIATION: TOTALITARIAN VIOLENCE IN SHAKESPEARE’S MACBETH AND TOM STOPPARD’S CAHOOT’S MACBETH
Fuente:
Redalyc
Enregistré dans:
| Auteur principal: | Anna Stegh Camati |
|---|---|
| Format: | Artículo científico |
| Langue: | en |
| Publié: |
Universidade Federal de Santa Catarina
2005
|
| Sujets: | |
| Accès en ligne: | |
| Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires
STAGING SEXUAL DIFFERENCE: THE CULTURAL APPROPRIATION OF SHAKESPEARE’S LADY MACBETH IN EIGHTEENTH-CENTURY ENGLAND AND GERMANY
par: Sonja Fielitz
Publié: (2005)
par: Sonja Fielitz
Publié: (2005)
SPATIAL POLITICS IN TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD
par: Elham Kazemi
Publié: (2017)
par: Elham Kazemi
Publié: (2017)
SHAKESPEARE’S DRAMA: APPROPRIATION ON PAGE, STAGE, AND CELLULOID
par: J.R. O
Publié: (2005)
par: J.R. O
Publié: (2005)
LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY
par: Anna Stegh Camati
Publié: (2010)
par: Anna Stegh Camati
Publié: (2010)
ELUSIVENESS OF REVENGE AND IMPOSSIBILITY OF TRAGEDY: SHAKESPEARE’S HAMLET AND PIRANDELLO’S ENRICO IV
par: Carla Dente
Publié: (2005)
par: Carla Dente
Publié: (2005)
BOWDLERIZING OR MAXIMIZING? TWO STRATEGIES TO RENDER SHAKESPEARE’S SEXUAL PUNS IN NINETEENTH-CENTURY SPAIN
par: Laura Campillo Arnaiz
Publié: (2005)
par: Laura Campillo Arnaiz
Publié: (2005)
O MAL NOS PERSONAGENS CLAUDIUS, IAGO, LADY MACBETH E EDMUND
par: Valdomiro Polidório
Publié: (2011)
par: Valdomiro Polidório
Publié: (2011)
DESACRALISING SHAKESPEARE’S “WORD” BY MEANS OF CULTURAL TRANSLATION/TRANSPOSITION
par: José Roberto O’Shea
Publié: (2016)
par: José Roberto O’Shea
Publié: (2016)
PARODY AND THE GAS STATION SEQUENCE IN WILLIAM SHAKESPEARE’S ROMEO AND JULIET
par: Avital Grubstein de Cykman
Publié: (2017)
par: Avital Grubstein de Cykman
Publié: (2017)
STAGING POLITICAL SCANDALS: TWO BRAZILIAN ADAPTATIONS OF WILLIAM SHAKESPEARE’S RICHARD III
par: José Roberto O’Shea
Publié: (2014)
par: José Roberto O’Shea
Publié: (2014)
AS VÁRIAS FACES DA FEITICEIRA: UMA ANÁLISE MÍTICADA BRUXA NA PEÇA MACBETH ESCRITA PORSHAKESPEARE E NA ADAPTAÇÃO FÍLMICA DE WELLES
par: Ânderson Martins Pereira
Publié: (2017)
par: Ânderson Martins Pereira
Publié: (2017)
THE CONSTRUCTION OF NATIONAL IDENTITY IN SHAKESPEARE’S KING LEAR AND ITS FILMIC ADAPTATION BY PETER BROOK
par: Antonio João Teixeira
Publié: (2006)
par: Antonio João Teixeira
Publié: (2006)
WHERE IS SHAKESPEARE? LOCALITY AND PERFORMATIVE TRANSLATION
par: Alexander C. Y. Huang
Publié: (2005)
par: Alexander C. Y. Huang
Publié: (2005)
CONTRASTING FORTUNES: LOPE IN THE UK/SHAKESPEARE IN SPAIN
par: Keith Gregor
Publié: (2005)
par: Keith Gregor
Publié: (2005)
SHAKESPEARE IN JAPAN’S ZEN PHILOSOPHY: THE PLAYS OF NOTHING AT THE THEATRE OF NOTHING
par: Yoshio Arai
Publié: (2005)
par: Yoshio Arai
Publié: (2005)
WILLIAM SHAKESPEARE: TEXTO, REPRESENTACIÓN TEATRAL E INTENCIONALIDAD AUTORAL
par: Beatriz Kase
Publié: (2002)
par: Beatriz Kase
Publié: (2002)
THE REAL THING? ADAPTATIONS, TRANSFORMATIONS AND BURLESQUES OF SHAKESPEARE, HISTORIC AND POST-MODERN
par: Manfred Draudt
Publié: (2005)
par: Manfred Draudt
Publié: (2005)
REESCRITAS DE PEÇAS DE SHAKESPEARE PARA O PÚBLICO JOVEM: A SÉRIE MANGÁ SHAKESPEARE
par: Marcia do Amaral Peixoto Martins
Publié: (2014)
par: Marcia do Amaral Peixoto Martins
Publié: (2014)
“MY HAND IS READY, MAY IT DO HIM EASE”: SHAKESPEARE AND THE THEATRE OF DISPLAY
par: Michael Mangan
Publié: (2005)
par: Michael Mangan
Publié: (2005)
“PERPLEX’D IN EXTREME”, OR [IN]FIDELITY IN TRANSLATION: READING AND PERFORMING SHAKESPEARE IN CONTEMPORARY ARGENTINA
par: Miguel A. Montezanti
Publié: (2005)
par: Miguel A. Montezanti
Publié: (2005)
MACBETH – UMA HISTÓRIA DE TERROR
par: Valdomiro Polidório
Publié: (2013)
par: Valdomiro Polidório
Publié: (2013)
DISNEY’S “WAR EFFORTS”: THE LION KING AND EDUCATION FOR DEATH, OR SHAKESPEARE MADE EASY FOR YOUR APOCALYPTIC CONVENIENCE
par: Alfredo Michel Modenessi
Publié: (2005)
par: Alfredo Michel Modenessi
Publié: (2005)
“POOR BANISHED CHILDREN OF EVE”: TOM MURPHY AND THE SYNTAX OF HISTORY
par: Paul Murphy
Publié: (2010)
par: Paul Murphy
Publié: (2010)
VIOLENCE AND HOPE IN ARIEL, BY MARINA CARR
par: Zoraide Rodrigues Carrasco de Mesquita
Publié: (2010)
par: Zoraide Rodrigues Carrasco de Mesquita
Publié: (2010)
RECONHECER E TRADUZIR TRAÇOS DE SÊNECA EM SHAKESPEARE
par: José Eduardo dos Santos Lohner
Publié: (2014)
par: José Eduardo dos Santos Lohner
Publié: (2014)
A LEGITIMAÇÃO DA PRODUÇÃO TEXTUAL NO CIBERESPAÇO
par: Marcelo José da Silva
Publié: (2009)
par: Marcelo José da Silva
Publié: (2009)
COMPARAR O INCOMPARÁVEL: UMA APROXIMAÇÃO ENTRE TOM JOBIM, DEBUSSY E MONET
par: Paulo da Costa e Silva
Publié: (2010)
par: Paulo da Costa e Silva
Publié: (2010)
SHAKESPEARE CHECKS INTO THE DIGITAL WORLD: REWRITING HIS PLAYS USING EMOJIS
par: Marcia Amaral Peixoto Martins
Publié: (2020)
par: Marcia Amaral Peixoto Martins
Publié: (2020)
SELF-REPRESENTATION, VIOLENCE AND PERIPHERY IN CAPÃO PECADO
par: Keury Carolaine Pereira da Silva
Publié: (2020)
par: Keury Carolaine Pereira da Silva
Publié: (2020)
OS SIMPSONS EM HAMLET: UM PETISCO DE SHAKESPEARE
par: Robert Salem
Publié: (2014)
par: Robert Salem
Publié: (2014)
A REPRESENTAÇÃO DA NATUREZA HUMANA EM HAMLET DE WILLIAM SHAKESPEARE
par: Valdomiro Polidório
Publié: (2009)
par: Valdomiro Polidório
Publié: (2009)
A LEITURA: PRINCIPAL INSUMO PARA A PRODUÇÃO TEXTUAL
par: Aparecida Feola Sella
Publié: (2014)
par: Aparecida Feola Sella
Publié: (2014)
PEDRO LEMEBEL: UN GEOPOLÍTICO SOCIO-TEXTUAL
par: Carolina Navarrete Higuera
Publié: (2017)
par: Carolina Navarrete Higuera
Publié: (2017)
THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM
par: Sigrid Renaux
Publié: (2010)
par: Sigrid Renaux
Publié: (2010)
NADSAT–THE LANGUAGE OF VIOLENCE: FROM NOVEL TO FILM
par: Israel A. C. Noletto
Publié: (2017)
par: Israel A. C. Noletto
Publié: (2017)
A INTERAÇÃO ENTRE CHRISTOPHER MARLOWE E WILLIAM SHAKESPEARE NO CONTEXTO DO DRAMA ELISABETANO
par: Mail Marques de Azevedo
Publié: (2008)
par: Mail Marques de Azevedo
Publié: (2008)
UN ENFOQUE DISCURSIVO/TEXTUAL PARA LA ENSEÑANZA DE IDIOMAS
par: Gerardo Álvarez
Publié: (2006)
par: Gerardo Álvarez
Publié: (2006)
UM MODELO DIDÁTICO DO GÊNERO TEXTUAL CRÔNICA JORNALÍSTICA
par: Ana Paula Altvater Santos
Publié: (2017)
par: Ana Paula Altvater Santos
Publié: (2017)
RESTRUCTURACIÓN DE MAMITA YUNAI A PARTIR DE LA MANIPULACIÓN TEXTUAL
par: Sonia Jones León
Publié: (2010)
par: Sonia Jones León
Publié: (2010)
SUBJECTS OF RIGHTS IN ANOTHER CITY OF GOD: VIOLENCE, SEXUALITY, AND THE NORMS OF HUMAN RIGHTS
par: Greg A. Mullins
Publié: (2008)
par: Greg A. Mullins
Publié: (2008)
Documents similaires
-
STAGING SEXUAL DIFFERENCE: THE CULTURAL APPROPRIATION OF SHAKESPEARE’S LADY MACBETH IN EIGHTEENTH-CENTURY ENGLAND AND GERMANY
par: Sonja Fielitz
Publié: (2005) -
SPATIAL POLITICS IN TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD
par: Elham Kazemi
Publié: (2017) -
SHAKESPEARE’S DRAMA: APPROPRIATION ON PAGE, STAGE, AND CELLULOID
par: J.R. O
Publié: (2005) -
LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY
par: Anna Stegh Camati
Publié: (2010) -
ELUSIVENESS OF REVENGE AND IMPOSSIBILITY OF TRAGEDY: SHAKESPEARE’S HAMLET AND PIRANDELLO’S ENRICO IV
par: Carla Dente
Publié: (2005)