LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY
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| Natura: | Artículo científico |
| Lingua: | en |
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Universidade Federal de Santa Catarina
2010
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| _version_ | 1876482523277557760 |
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| author | Anna Stegh Camati |
| author_facet | Anna Stegh Camati |
| contents | LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY Anna Stegh Camati Lengua y Literatura Brian Friel solo voices Molly Sweeney production of presence indeterminacy of meaning The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He combines conventional and postdramatic features in his presentation of alternating monologues by three speakers – Molly, Frank and Mr. Rice – whose solo voices create an allegory on the unwillingness of communication in our time. The emerging landscapes of the mind force the audience to deal with the indeterminacy of meaning, extending representation beyond dramatic action in the theatre. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696006 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58 |
| format | Artículo científico |
| id | redalyc_478348696006 |
| institution | Redalyc |
| language | en |
| publishDate | 2010 |
| publisher | Universidade Federal de Santa Catarina |
| spellingShingle | LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY Anna Stegh Camati Lengua y Literatura Brian Friel solo voices Molly Sweeney production of presence indeterminacy of meaning LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY Anna Stegh Camati Lengua y Literatura Brian Friel solo voices Molly Sweeney production of presence indeterminacy of meaning The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He combines conventional and postdramatic features in his presentation of alternating monologues by three speakers – Molly, Frank and Mr. Rice – whose solo voices create an allegory on the unwillingness of communication in our time. The emerging landscapes of the mind force the audience to deal with the indeterminacy of meaning, extending representation beyond dramatic action in the theatre. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696006 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58 |
| title | LANDSCAPES OF THE MIND: POSTDRAMATIC FEATURES IN BRIAN FRIEL’S MOLLY SWEENEY |
| topic | Lengua y Literatura Brian Friel solo voices Molly Sweeney production of presence indeterminacy of meaning |
| url | https://www.redalyc.org/articulo.oa?id=478348696006 |