CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION

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Bibliographic Details
Main Author: Roberto Ferreira da Rocha
Format: Artículo científico
Language:en
Published: Universidade Federal de Santa Catarina 2010
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author Roberto Ferreira da Rocha
author_facet Roberto Ferreira da Rocha
contents CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION Roberto Ferreira da Rocha Lengua y Literatura Modern English Modern English speaking Drama speaking Drama Intertextuality A reading of The Seafarer (2007), the last published play by the Irish playwright Conor McPherson (1971- ), which aims to investigate the rich intertextuality that the work presents. The text echoes both canonic and popular renderings of the Faustian myth, those of Christopher Marlowe (c. 1564-1593) and Johann Wolfgang Goethe (1749-1832), as well as its folk rewritings. In The Seafarer McPherson conveys a complex portrait of a group of Irish working-class mates, who are enthralled in existential and gender conflicts. In this his fourth full-length ensemble play to reach both the London West End and New York Broadway (the first being The Weir of 1999) McPherson critically dialogues with the modernist and postmodernist dramatic tradition mainly through the works of John Middleton Synge (1871-1909), Samuel Beckett (1906-1989), Harold Pinter (1930- 2008) and David Mamet (1947- ), without losing, however, a genuine sense of deep Irishness. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696017 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58
format Artículo científico
id redalyc_478348696017
institution Redalyc
language en
publishDate 2010
publisher Universidade Federal de Santa Catarina
spellingShingle CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION
Roberto Ferreira da Rocha
Lengua y Literatura
Modern English
Modern English
speaking Drama
speaking Drama
Intertextuality
CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION Roberto Ferreira da Rocha Lengua y Literatura Modern English Modern English speaking Drama speaking Drama Intertextuality A reading of The Seafarer (2007), the last published play by the Irish playwright Conor McPherson (1971- ), which aims to investigate the rich intertextuality that the work presents. The text echoes both canonic and popular renderings of the Faustian myth, those of Christopher Marlowe (c. 1564-1593) and Johann Wolfgang Goethe (1749-1832), as well as its folk rewritings. In The Seafarer McPherson conveys a complex portrait of a group of Irish working-class mates, who are enthralled in existential and gender conflicts. In this his fourth full-length ensemble play to reach both the London West End and New York Broadway (the first being The Weir of 1999) McPherson critically dialogues with the modernist and postmodernist dramatic tradition mainly through the works of John Middleton Synge (1871-1909), Samuel Beckett (1906-1989), Harold Pinter (1930- 2008) and David Mamet (1947- ), without losing, however, a genuine sense of deep Irishness. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696017 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58
title CONOR MCPHERSON’S THE SEAFARER: TINKERING WITH TRADITION
topic Lengua y Literatura
Modern English
Modern English
speaking Drama
speaking Drama
Intertextuality
url https://www.redalyc.org/articulo.oa?id=478348696017