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Bibliographic Details
Main Author: Brenda Winter
Format: Artículo científico
Language:en
Published: Universidade Federal de Santa Catarina 2010
Subjects:
Online Access:https://www.redalyc.org/articulo.oa?id=478348696021
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author Brenda Winter
author_facet Brenda Winter
contents CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT Brenda Winter Lengua y Literatura Gender Charabanc Field Day Cultural Capital Archival Research This paper compares the cultural legacy of the all-female Charabanc with that of Field Day, its fellow counterpart in the Irish Theatre touring movement in the 1980s. It suggests that a conscious awareness amongst the all-male Field Day board of successful writers and directors of what Bourdieu has called ‘cultural capital’ is implicated in the enduring authority of the work of that company within the history of Irish theatre. Conversely the paper considers if the populist Charabanc, in its steadfast refusal to engage with the hierarchies of academia and publishing, was too neglectful of the cultural capital which it accrued in its heyday and has thus been party to its own occlusion from that same history. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696021 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58
format Artículo científico
id redalyc_478348696021
language en
publishDate 2010
publisher Universidade Federal de Santa Catarina
spellingShingle CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT
Brenda Winter
Lengua y Literatura
Gender
Charabanc
Field Day
Cultural Capital
Archival Research
CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT Brenda Winter Lengua y Literatura Gender Charabanc Field Day Cultural Capital Archival Research This paper compares the cultural legacy of the all-female Charabanc with that of Field Day, its fellow counterpart in the Irish Theatre touring movement in the 1980s. It suggests that a conscious awareness amongst the all-male Field Day board of successful writers and directors of what Bourdieu has called ‘cultural capital’ is implicated in the enduring authority of the work of that company within the history of Irish theatre. Conversely the paper considers if the populist Charabanc, in its steadfast refusal to engage with the hierarchies of academia and publishing, was too neglectful of the cultural capital which it accrued in its heyday and has thus been party to its own occlusion from that same history. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348696021 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.58
title CHARABANC, CULTURAL CAPITAL AND THE MEN OF RECOGNISED CREDIT
topic Lengua y Literatura
Gender
Charabanc
Field Day
Cultural Capital
Archival Research
url https://www.redalyc.org/articulo.oa?id=478348696021