THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM

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1. Verfasser: Sigrid Renaux
Format: Artículo científico
Sprache:en
Veröffentlicht: Universidade Federal de Santa Catarina 2010
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author Sigrid Renaux
author_facet Sigrid Renaux
contents THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM Sigrid Renaux Lengua y Literatura History Violence Aesthetics Intermediality Michael Ondaatje This presentation explores the theme of violence which permeates Michael Ondaatje’s The English Patient (1992) and its transposition into film by Anthony Minghella (1996), for, either from a social-political perspective or from an individual point of view, the theme of violence is rendered in both art forms through scenes and images of passion, betrayal, mutilation, suffering and death. In examining the relationships which can be established among them, in order to reflect upon the essence of violence and conceptualize on the aesthetics of violence in art, we shall also be comparing some of the different narrative strategies used by the novelist and the director. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348697015 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.59
format Artículo científico
id redalyc_478348697015
institution Redalyc
language en
publishDate 2010
publisher Universidade Federal de Santa Catarina
spellingShingle THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM
Sigrid Renaux
Lengua y Literatura
History
Violence
Aesthetics
Intermediality
Michael Ondaatje
THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM Sigrid Renaux Lengua y Literatura History Violence Aesthetics Intermediality Michael Ondaatje This presentation explores the theme of violence which permeates Michael Ondaatje’s The English Patient (1992) and its transposition into film by Anthony Minghella (1996), for, either from a social-political perspective or from an individual point of view, the theme of violence is rendered in both art forms through scenes and images of passion, betrayal, mutilation, suffering and death. In examining the relationships which can be established among them, in order to reflect upon the essence of violence and conceptualize on the aesthetics of violence in art, we shall also be comparing some of the different narrative strategies used by the novelist and the director. 2010 artículo científico 2175-8026 https://www.redalyc.org/articulo.oa?id=478348697015 en http://www.redalyc.org/revista.oa?id=4783 Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies application/pdf Universidade Federal de Santa Catarina Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies (Brasil) Num.59
title THE ENGLISH PATIENT : THE AESTHETICS OF VIOLENCE AND THE RECONTEXTUALIZATION OF HISTORY IN FICTION AND FILM
topic Lengua y Literatura
History
Violence
Aesthetics
Intermediality
Michael Ondaatje
url https://www.redalyc.org/articulo.oa?id=478348697015