Exploring Micro-worlds of Music Meanings
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Redalyc
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| Formato: | Artículo científico |
| Lenguaje: | en |
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Universidad de Buenos Aires
2014
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| _version_ | 1876449776803774464 |
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| author | Ignazio Macchiarella |
| author_facet | Ignazio Macchiarella |
| contents | Exploring Micro-worlds of Music Meanings Ignazio Macchiarella Arte individual Performance dialogicality multipart singing collective creativity A musical practice may have exclusive meanings shared only by some groups of people within a society. In fact, music has the capacity to create spaces for reserved communication between groups of individuals . Within these ambits, performance activity accompanies more or less articulated forms of thinking of the same performers and parts of competent listeners, since, if nothing else, each musical event is imagined previously and discussed afterwards. This shared knowledge impregnates the concreteness of musical expression, often explaining the variability which is perceptible when listening from outside the group. To investigate this kind of ambit of construction of meanings, it is necessary to try to get as close as possible to the cognitions shared by those who belong to it. To this end, a very significant contribution can come from heuristic approaches based on the strategies of dialogue, above all, negotiated dialogues (and not simple juxtapositions of different opinions) where, on the basis of deep mutual trust, through the intertwining and interaction of different points of view, elements of interpretation emerge for the scholar. This text aims to deal with this, based on a concrete methodological experience 2014 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552956862002 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.1 Vol.2 |
| format | Artículo científico |
| id | redalyc_552956862002 |
| institution | Redalyc |
| language | en |
| publishDate | 2014 |
| publisher | Universidad de Buenos Aires |
| spellingShingle | Exploring Micro-worlds of Music Meanings Ignazio Macchiarella Arte individual Performance dialogicality multipart singing collective creativity Exploring Micro-worlds of Music Meanings Ignazio Macchiarella Arte individual Performance dialogicality multipart singing collective creativity A musical practice may have exclusive meanings shared only by some groups of people within a society. In fact, music has the capacity to create spaces for reserved communication between groups of individuals . Within these ambits, performance activity accompanies more or less articulated forms of thinking of the same performers and parts of competent listeners, since, if nothing else, each musical event is imagined previously and discussed afterwards. This shared knowledge impregnates the concreteness of musical expression, often explaining the variability which is perceptible when listening from outside the group. To investigate this kind of ambit of construction of meanings, it is necessary to try to get as close as possible to the cognitions shared by those who belong to it. To this end, a very significant contribution can come from heuristic approaches based on the strategies of dialogue, above all, negotiated dialogues (and not simple juxtapositions of different opinions) where, on the basis of deep mutual trust, through the intertwining and interaction of different points of view, elements of interpretation emerge for the scholar. This text aims to deal with this, based on a concrete methodological experience 2014 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552956862002 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.1 Vol.2 |
| title | Exploring Micro-worlds of Music Meanings |
| topic | Arte individual Performance dialogicality multipart singing collective creativity |
| url | https://www.redalyc.org/articulo.oa?id=552956862002 |