An Interrogative Hermeneutics of Popular Song
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| Formato: | Artículo científico |
| Lenguaje: | en |
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Universidad de Buenos Aires
2013
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| _version_ | 1876444465255677952 |
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| author | Allan F. Moore |
| author_facet | Allan F. Moore |
| contents | An Interrogative Hermeneutics of Popular Song Allan F. Moore Arte persona environment authenticity embodied meaning Ecological perception This article presents a methodology for the analytically-enriched discussion of meaning in recorded popular song. It argues for a middle way between assumptions of universal and entirely relativist meaning, based fundamentally on Gibson’s ecological psychology. It begins from the position that a listener encounters not a recording as communicable object, but a persona instantiated by a recording. Focus on the persona necessitates discussion of the personic environment constituted by the remainder of the musical fabric, and leads to a formulation of authenticity which acknowledges the weight put on this quality by many audiences. The paper then explores embodied meaning as a way of approaching the way that music feels, again acknowledging audience concern, and closes with a focus on the ecological position. Each of these stages in the argument is provided with a variety of illustrations. 2013 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552956864002 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.1 Vol.1 |
| format | Artículo científico |
| id | redalyc_552956864002 |
| institution | Redalyc |
| language | en |
| publishDate | 2013 |
| publisher | Universidad de Buenos Aires |
| spellingShingle | An Interrogative Hermeneutics of Popular Song Allan F. Moore Arte persona environment authenticity embodied meaning Ecological perception An Interrogative Hermeneutics of Popular Song Allan F. Moore Arte persona environment authenticity embodied meaning Ecological perception This article presents a methodology for the analytically-enriched discussion of meaning in recorded popular song. It argues for a middle way between assumptions of universal and entirely relativist meaning, based fundamentally on Gibson’s ecological psychology. It begins from the position that a listener encounters not a recording as communicable object, but a persona instantiated by a recording. Focus on the persona necessitates discussion of the personic environment constituted by the remainder of the musical fabric, and leads to a formulation of authenticity which acknowledges the weight put on this quality by many audiences. The paper then explores embodied meaning as a way of approaching the way that music feels, again acknowledging audience concern, and closes with a focus on the ecological position. Each of these stages in the argument is provided with a variety of illustrations. 2013 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552956864002 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.1 Vol.1 |
| title | An Interrogative Hermeneutics of Popular Song |
| topic | Arte persona environment authenticity embodied meaning Ecological perception |
| url | https://www.redalyc.org/articulo.oa?id=552956864002 |