Enregistré dans:
| Auteur principal: | Maria Westvall |
|---|---|
| Format: | Artículo científico |
| Langue: | en |
| Publié: |
Universidad de Buenos Aires
2019
|
| Sujets: | |
| Accès en ligne: | https://www.redalyc.org/articulo.oa?id=552972252005 |
| Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires
Communities of Musical Practice: Transformative Contexts for Intercultural Communication
par: Maria Westvall
Publié: (2019)
par: Maria Westvall
Publié: (2019)
Music, Dance and Ethnic Elasticity in a Kurdish Cultural Association: The Complexity of Intercultural Experience
par: Oscar Pripp
Publié: (2019)
par: Oscar Pripp
Publié: (2019)
Drumming Through Princess of China: Intercultural Encounters in a Hollywood Music Video
par: Deborah Wong
Publié: (2019)
par: Deborah Wong
Publié: (2019)
Music as torture / Music as weapon
par: Suzanne G. Cusick
Publié: (2006)
par: Suzanne G. Cusick
Publié: (2006)
Simon Zagorski-Thomas. Studying How Sounds Were Made Rather Than How They Were Heard
par: Juliana Guerrero
Publié: (2015)
par: Juliana Guerrero
Publié: (2015)
Timothy Rice. Human Musicality and the Future of Ethnomusicology: Musical Experience and the Perpetual Question of Objectivity
par: Raúl R. Romero
Publié: (2015)
par: Raúl R. Romero
Publié: (2015)
Music and Northern Forest Cultures
par: Tina K. Ramnarine
Publié: (2019)
par: Tina K. Ramnarine
Publié: (2019)
Schenkerian analysis and Popular Music
par: Cristóbal L. García Gallardo
Publié: (2000)
par: Cristóbal L. García Gallardo
Publié: (2000)
Introduction: Music, Climate Change, and the North
par: Britta Sweers
Publié: (2019)
par: Britta Sweers
Publié: (2019)
An Andean Musical Structure That Defies Borders
par: Enrique Cámara de Landa
Publié: (2021)
par: Enrique Cámara de Landa
Publié: (2021)
The Interrelations of Genre in Traditional Cambodian Music and Theatre
par: Francesca Billeri
Publié: (2021)
par: Francesca Billeri
Publié: (2021)
Creating Music at the Beach: Jón Leifs, the North and Nature
par: Florian Heesch
Publié: (2016)
par: Florian Heesch
Publié: (2016)
World Music, ¿El folklore de la globalización?
par: G. Abril
Publié: (2003)
par: G. Abril
Publié: (2003)
Technological Encounters in the Interculturality of Istanbul’s Recording Studios
par: Eliot Bates
Publié: (2019)
par: Eliot Bates
Publié: (2019)
Conversations with John Shepherd: A True Class on Sociology of Music
par: Antenor Ferreira Corrêa
Publié: (2019)
par: Antenor Ferreira Corrêa
Publié: (2019)
Sikh Religious Music in a Migration Context: The Role of Media
par: Thea Tiramani
Publié: (2021)
par: Thea Tiramani
Publié: (2021)
Music Outside? Innovation and ‘Britishness’ in British Jazz 1960–1980
par: Tom Sykes
Publié: (2017)
par: Tom Sykes
Publié: (2017)
Reseña de "Musical Ritual in Mexico City" de Mark Pedelty
par: Lourdes Turrent
Publié: (2004)
par: Lourdes Turrent
Publié: (2004)
Introduction to Special Dossier: Indigenous Musical Practices and Politics in Latin America
par: Julio Mendívil
Publié: (2016)
par: Julio Mendívil
Publié: (2016)
Generating Ontologies of Historical Sound Recordings. Interculturality, Intercollectivity, and Transmutation as Method
par: Matthias Lewy
Publié: (2019)
par: Matthias Lewy
Publié: (2019)
‘It Should Always Be a Give-and-Take’ The Transformation of West German Music Diplomacy in the 1960s
par: Mario Dunkel
Publié: (2017)
par: Mario Dunkel
Publié: (2017)
Reseña de "Singing for Life: HIV/AIDS and Music in Uganda" de Gregory Barz
par: Bernhard Bleibinger
Publié: (2007)
par: Bernhard Bleibinger
Publié: (2007)
Operation 'Enduring Wisdom', oder: Richard Taruskin und sein Oxford History of Western Music
par: Jeroen van Gessel
Publié: (2006)
par: Jeroen van Gessel
Publié: (2006)
Reseña de "The Singing Neanderthals. The Origins of Music, Language, Mind, and Body" de Steven Mithen
par: Ana Tropea
Publié: (2010)
par: Ana Tropea
Publié: (2010)
Gabriel Solis y Bruno Nettl (eds.): Musical improvisation: Art, education and society. Chicago: University of Illinois Press, 2009. 357 pp. ISBN: 978-0-252-03462-6 e ISBN: 978-0-252-07654-1
par: María Victoria Assinnato
Publié: (2012)
par: María Victoria Assinnato
Publié: (2012)
El museo como artefacto perceptivo y su potencialidad critica
par: Maria Guillermina Fressoli
Publié: (2014)
par: Maria Guillermina Fressoli
Publié: (2014)
La Audición Musical
par: Alberto Leongómez Herrera
Publié: (2009)
par: Alberto Leongómez Herrera
Publié: (2009)
Reseña de "Arsenio Rodríguez and the Transnational Flows of Latin Popular Music" de David F. García
par: Iñigo Sánchez Fuarros
Publié: (2009)
par: Iñigo Sánchez Fuarros
Publié: (2009)
“I go. I return. I am confused:” Reflections on Armenian Music Ideas in Multi-sited Research
par: Ortensia Giovannini
Publié: (2021)
par: Ortensia Giovannini
Publié: (2021)
Contextos pluriculturales, educación musical y Educación Intercultural
par: Mª del Mar Bernabé Villodre
Publié: (2012)
par: Mª del Mar Bernabé Villodre
Publié: (2012)
Contextos pluriculturales, educación musical y Educación Intercultural
par: Mª del Mar Bernabé Villodre
Publié: (2012)
par: Mª del Mar Bernabé Villodre
Publié: (2012)
Michelle Bigenho: Intimate Distance. Andean Music in Japan. Durham: Duke University Press. 2012. 232 pp.
par: Juan Javier Rivera
Publié: (2013)
par: Juan Javier Rivera
Publié: (2013)
Reseña de "Oye Como Va! Hibridity and Identity in Latino Popular Music" de Deborah Pacini Hernández
par: Íñigo Sánchez
Publié: (2011)
par: Íñigo Sánchez
Publié: (2011)
Implicaciones del Carácter Cognitivo del Arte en la Educación Artística: Escénica, Musical y Visual
par: Carolina Merchán Price
Publié: (2008)
par: Carolina Merchán Price
Publié: (2008)
L´esthétique e(s)t le marché: Quelques réflexions sur le commerce de la World Music
par: Francesco Giannattasio
Publié: (2000)
par: Francesco Giannattasio
Publié: (2000)
Brass Band Music in Naples Between the Ritual Dimension and Innovation: The Case-Study of Madonna dell’Arco’s divisioni musicali
par: Claudio Rizzoni
Publié: (2021)
par: Claudio Rizzoni
Publié: (2021)
White, Bob W. (ed.). 2012. Music and Globalization: Critical Encounters. Bloomington: Indiana University Press, 248 pages.
par: Tatyana de Alencar Jacques
Publié: (2013)
par: Tatyana de Alencar Jacques
Publié: (2013)
Reseña de "The Ashgate Research Companion to Japanese Music" de Alison McQueen Tokita y David Hughes
par: Horacio Curti
Publié: (2010)
par: Horacio Curti
Publié: (2010)
Martín E. Graziano: Cancionistas del Río de la Plata. Después del rock: una música popular para el siglo XXI. Buenos Aires: Ediciones Gourmet Musical, 2011. 318 pp. ISBN 978-987-25614-6-8. Contiene dibujos (color) y fotografías (blanco y negro).
par: María Eugenia Domínguez
Publié: (2012)
par: María Eugenia Domínguez
Publié: (2012)
González, Juan Pablo. 2013. Pensar la música desde América Latina. Buenos Aires: Gourmet Musical, 252 páginas.
par: Angélica Adorni
Publié: (2014)
par: Angélica Adorni
Publié: (2014)
Documents similaires
-
Communities of Musical Practice: Transformative Contexts for Intercultural Communication
par: Maria Westvall
Publié: (2019) -
Music, Dance and Ethnic Elasticity in a Kurdish Cultural Association: The Complexity of Intercultural Experience
par: Oscar Pripp
Publié: (2019) -
Drumming Through Princess of China: Intercultural Encounters in a Hollywood Music Video
par: Deborah Wong
Publié: (2019) -
Music as torture / Music as weapon
par: Suzanne G. Cusick
Publié: (2006) -
Simon Zagorski-Thomas. Studying How Sounds Were Made Rather Than How They Were Heard
par: Juliana Guerrero
Publié: (2015)