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| Main Author: | |
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| Format: | Artículo científico |
| Language: | en |
| Published: |
Universidad de Buenos Aires
2023
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| Online Access: | https://www.redalyc.org/articulo.oa?id=552976215003 https://www.redalyc.org/journal/5529/552976215003/ https://www.redalyc.org/journal/5529/552976215003/html/ https://www.redalyc.org/journal/5529/552976215003/552976215003.epub https://www.redalyc.org/journal/5529/552976215003/movil https://doi.org/10.34096/oidopensante.v11n2.13329 |
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| _version_ | 1866817789376856064 |
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| author | Marta Castello Branco |
| author_facet | Marta Castello Branco |
| contents | Creativity and Cognitive Niche Construction in Salvatore Sciarrino’s L’opera per flauto Marta Castello Branco João Queiroz Arte transverse flute Musical creativity extended techniques cognitive niche construction The emergence of new musical ideas, and new forms of musicality, is described here as the transformation of conceptual spaces in a cognitive niche, a distributed and self-organised set of intergenerational concepts, materials, and actions. According to this approach, there is a direct co-dependence relation, a co-evolutionary causal looping, between new, acceptable (valid) and surprising musical ideas (which define what is creative in a certain context), agents, tools and artifacts (instruments, musical notations, types of equipment, performance space), and conceivable epistemic and pragmatic actions (instrument techniques, dynamics of collaboration, scenic procedures). This co-evolutionary relation defines a conceptual space of musicality. To demonstrate our thesis, we detail the development of extended techniques for transverse flute, a phenomenon strongly dependent on performer-composer collaboration. We focus on Salvatore Sciarrino’s L’opera per flauto (1990), which was developed in an intensive work with the flautist Roberto Fabbriciani, through investigation of sounding possibilities of the instrument. The collaboration resulted in new and surprising sounds for the transverse flute, including the combination of extended techniques, and their notation, largely applied by later repertoire. 2023 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552976215003 https://www.redalyc.org/journal/5529/552976215003/ https://www.redalyc.org/journal/5529/552976215003/html/ https://www.redalyc.org/journal/5529/552976215003/552976215003.epub https://www.redalyc.org/journal/5529/552976215003/movil https://doi.org/10.34096/oidopensante.v11n2.13329 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.2 Vol.11 |
| format | Artículo científico |
| id | redalyc_552976215003 |
| language | en |
| publishDate | 2023 |
| publisher | Universidad de Buenos Aires |
| spellingShingle | Creativity and Cognitive Niche Construction in Salvatore Sciarrino’s L’opera per flauto Marta Castello Branco Arte transverse flute Musical creativity extended techniques cognitive niche construction Creativity and Cognitive Niche Construction in Salvatore Sciarrino’s L’opera per flauto Marta Castello Branco João Queiroz Arte transverse flute Musical creativity extended techniques cognitive niche construction The emergence of new musical ideas, and new forms of musicality, is described here as the transformation of conceptual spaces in a cognitive niche, a distributed and self-organised set of intergenerational concepts, materials, and actions. According to this approach, there is a direct co-dependence relation, a co-evolutionary causal looping, between new, acceptable (valid) and surprising musical ideas (which define what is creative in a certain context), agents, tools and artifacts (instruments, musical notations, types of equipment, performance space), and conceivable epistemic and pragmatic actions (instrument techniques, dynamics of collaboration, scenic procedures). This co-evolutionary relation defines a conceptual space of musicality. To demonstrate our thesis, we detail the development of extended techniques for transverse flute, a phenomenon strongly dependent on performer-composer collaboration. We focus on Salvatore Sciarrino’s L’opera per flauto (1990), which was developed in an intensive work with the flautist Roberto Fabbriciani, through investigation of sounding possibilities of the instrument. The collaboration resulted in new and surprising sounds for the transverse flute, including the combination of extended techniques, and their notation, largely applied by later repertoire. 2023 artículo científico 2250-7116 https://www.redalyc.org/articulo.oa?id=552976215003 https://www.redalyc.org/journal/5529/552976215003/ https://www.redalyc.org/journal/5529/552976215003/html/ https://www.redalyc.org/journal/5529/552976215003/552976215003.epub https://www.redalyc.org/journal/5529/552976215003/movil https://doi.org/10.34096/oidopensante.v11n2.13329 en http://www.redalyc.org/revista.oa?id=5529 El Oído Pensante application/pdf Universidad de Buenos Aires El Oído Pensante (Argentina) Num.2 Vol.11 |
| title | Creativity and Cognitive Niche Construction in Salvatore Sciarrino’s L’opera per flauto |
| topic | Arte transverse flute Musical creativity extended techniques cognitive niche construction |
| url | https://www.redalyc.org/articulo.oa?id=552976215003 https://www.redalyc.org/journal/5529/552976215003/ https://www.redalyc.org/journal/5529/552976215003/html/ https://www.redalyc.org/journal/5529/552976215003/552976215003.epub https://www.redalyc.org/journal/5529/552976215003/movil https://doi.org/10.34096/oidopensante.v11n2.13329 |