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| Format: | Artículo científico |
| Langue: | en |
| Publié: |
Universidade de Santiago de Compostela
2022
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| Accès en ligne: | https://www.redalyc.org/articulo.oa?id=65375288013 https://www.redalyc.org/journal/653/65375288013/ https://www.redalyc.org/journal/653/65375288013/html/ https://www.redalyc.org/journal/653/65375288013/65375288013.epub https://www.redalyc.org/journal/653/65375288013/movil |
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| _version_ | 1866586504097169408 |
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| author | Agar Ledo Arias |
| author_facet | Agar Ledo Arias |
| contents | NATIONAL NARRATIVES AND CULTURAL DIPLOMACY. THE SPANISH PAVILION AT THE VENICE BIENNALE DURING THE FRANCO DICTATORSHIP'S APERTURA IN THE FIFTIES Agar Ledo Arias Arte Art Francoism Venice Biennale Historical Memory International Relations This article proposes an approach to the Spanish presence at the Venice Biennale from the perspectives of Art History and International Relations. The article examines the image conveyed by Spanish participation in the Biennale, always via the Spanish Pavilion and in the political context of the Franco dictatorship's aperturismo openness in the fifties, to prove how the dictatorship favoured the attainment of political interests through a carefully planned soft power cultural diplomatic strategy. The text introduces the distinctive features of the Venice Biennale and examines its unique layout in national pavilions, which makes it an appropriate case study for addressing the connection between artistic production and national identity, on the one hand, and for analysing the role played by art and culture in international relations, on the other. What role did the Spanish Pavilion play at the Venice Biennale in the construction of national narratives during the Franco regime? How did the dictatorship use cultural diplomacy to construct its image on the international stage? 2022 artículo científico 1579-7414 https://www.redalyc.org/articulo.oa?id=65375288013 https://www.redalyc.org/journal/653/65375288013/ https://www.redalyc.org/journal/653/65375288013/html/ https://www.redalyc.org/journal/653/65375288013/65375288013.epub https://www.redalyc.org/journal/653/65375288013/movil 10.15304/quintana.21.7406 en http://www.redalyc.org/revista.oa?id=653 Quintana. Revista de Estudos do Departamento de Historia da Arte application/pdf Universidade de Santiago de Compostela Quintana. Revista de Estudos do Departamento de Historia da Arte (España) Num.21 |
| format | Artículo científico |
| id | redalyc_65375288013 |
| language | en |
| publishDate | 2022 |
| publisher | Universidade de Santiago de Compostela |
| spellingShingle | NATIONAL NARRATIVES AND CULTURAL DIPLOMACY. THE SPANISH PAVILION AT THE VENICE BIENNALE DURING THE FRANCO DICTATORSHIP'S APERTURA IN THE FIFTIES Agar Ledo Arias Arte Art Francoism Venice Biennale Historical Memory International Relations NATIONAL NARRATIVES AND CULTURAL DIPLOMACY. THE SPANISH PAVILION AT THE VENICE BIENNALE DURING THE FRANCO DICTATORSHIP'S APERTURA IN THE FIFTIES Agar Ledo Arias Arte Art Francoism Venice Biennale Historical Memory International Relations This article proposes an approach to the Spanish presence at the Venice Biennale from the perspectives of Art History and International Relations. The article examines the image conveyed by Spanish participation in the Biennale, always via the Spanish Pavilion and in the political context of the Franco dictatorship's aperturismo openness in the fifties, to prove how the dictatorship favoured the attainment of political interests through a carefully planned soft power cultural diplomatic strategy. The text introduces the distinctive features of the Venice Biennale and examines its unique layout in national pavilions, which makes it an appropriate case study for addressing the connection between artistic production and national identity, on the one hand, and for analysing the role played by art and culture in international relations, on the other. What role did the Spanish Pavilion play at the Venice Biennale in the construction of national narratives during the Franco regime? How did the dictatorship use cultural diplomacy to construct its image on the international stage? 2022 artículo científico 1579-7414 https://www.redalyc.org/articulo.oa?id=65375288013 https://www.redalyc.org/journal/653/65375288013/ https://www.redalyc.org/journal/653/65375288013/html/ https://www.redalyc.org/journal/653/65375288013/65375288013.epub https://www.redalyc.org/journal/653/65375288013/movil 10.15304/quintana.21.7406 en http://www.redalyc.org/revista.oa?id=653 Quintana. Revista de Estudos do Departamento de Historia da Arte application/pdf Universidade de Santiago de Compostela Quintana. Revista de Estudos do Departamento de Historia da Arte (España) Num.21 |
| title | NATIONAL NARRATIVES AND CULTURAL DIPLOMACY. THE SPANISH PAVILION AT THE VENICE BIENNALE DURING THE FRANCO DICTATORSHIP'S APERTURA IN THE FIFTIES |
| topic | Arte Art Francoism Venice Biennale Historical Memory International Relations |
| url | https://www.redalyc.org/articulo.oa?id=65375288013 https://www.redalyc.org/journal/653/65375288013/ https://www.redalyc.org/journal/653/65375288013/html/ https://www.redalyc.org/journal/653/65375288013/65375288013.epub https://www.redalyc.org/journal/653/65375288013/movil |