A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW
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| Formato: | Artículo científico |
| Lenguaje: | en |
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Universidade de Santiago de Compostela
2022
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| _version_ | 1876458428250980352 |
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| author | Sadaf Pourmahmoud |
| author_facet | Sadaf Pourmahmoud |
| contents | A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW Sadaf Pourmahmoud Arte Molk Simile purification geometric motifs the dome of Taj Al Iranian Islamic art refers to the works of culture and civilization of the Iranian Muslim nation in the Islamic era. In its thinking and epistemological nature, it has a different language from simile and purification and is associated with a rich philosophy called "decoration" based on spiritual manifestations. Therefore, in creating works based on a simile and purification attitude, the existence of truth has never been neglected and the art world has been considered as manifestations of truth. This research is a descriptive and analytical research. Through documents, libraries and field observations, various data were collected by examining the principles and components of simile and purification with emphasis on Ibn Arabi’s 1 point of view and analyzing of how the Muslim artist used and his goals of using the combination of the two components in the philosophy of decoration. The results show that "simile and purification", as a mystical approach, has led to the formation of a special language in the structure of Iranian art; therefore, in the philosophy of decoration, the mystic artist has used it as a tool to manifest the beauty and perfection of God in forms through the embodiment of unity. 2022 artículo científico 1579-7414 https://www.redalyc.org/articulo.oa?id=65375288017 https://www.redalyc.org/journal/653/65375288017/ https://www.redalyc.org/journal/653/65375288017/html/ https://www.redalyc.org/journal/653/65375288017/65375288017.epub https://www.redalyc.org/journal/653/65375288017/movil 10.15304/quintana.21.7833 en http://www.redalyc.org/revista.oa?id=653 Quintana. Revista de Estudos do Departamento de Historia da Arte application/pdf Universidade de Santiago de Compostela Quintana. Revista de Estudos do Departamento de Historia da Arte (España) Num.21 |
| format | Artículo científico |
| id | redalyc_65375288017 |
| institution | Redalyc |
| language | en |
| publishDate | 2022 |
| publisher | Universidade de Santiago de Compostela |
| spellingShingle | A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW Sadaf Pourmahmoud Arte Molk Simile purification geometric motifs the dome of Taj Al A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW Sadaf Pourmahmoud Arte Molk Simile purification geometric motifs the dome of Taj Al Iranian Islamic art refers to the works of culture and civilization of the Iranian Muslim nation in the Islamic era. In its thinking and epistemological nature, it has a different language from simile and purification and is associated with a rich philosophy called "decoration" based on spiritual manifestations. Therefore, in creating works based on a simile and purification attitude, the existence of truth has never been neglected and the art world has been considered as manifestations of truth. This research is a descriptive and analytical research. Through documents, libraries and field observations, various data were collected by examining the principles and components of simile and purification with emphasis on Ibn Arabi’s 1 point of view and analyzing of how the Muslim artist used and his goals of using the combination of the two components in the philosophy of decoration. The results show that "simile and purification", as a mystical approach, has led to the formation of a special language in the structure of Iranian art; therefore, in the philosophy of decoration, the mystic artist has used it as a tool to manifest the beauty and perfection of God in forms through the embodiment of unity. 2022 artículo científico 1579-7414 https://www.redalyc.org/articulo.oa?id=65375288017 https://www.redalyc.org/journal/653/65375288017/ https://www.redalyc.org/journal/653/65375288017/html/ https://www.redalyc.org/journal/653/65375288017/65375288017.epub https://www.redalyc.org/journal/653/65375288017/movil 10.15304/quintana.21.7833 en http://www.redalyc.org/revista.oa?id=653 Quintana. Revista de Estudos do Departamento de Historia da Arte application/pdf Universidade de Santiago de Compostela Quintana. Revista de Estudos do Departamento de Historia da Arte (España) Num.21 |
| title | A STUDY ON SIMILE AND PURIFICATION IN THE “PHILOSOPHY OF DECORATION” OF IRANIAN ISLAMIC ART FROM IBN ARABI’S POINT OF VIEW |
| topic | Arte Molk Simile purification geometric motifs the dome of Taj Al |
| url | https://www.redalyc.org/articulo.oa?id=65375288017 https://www.redalyc.org/journal/653/65375288017/ https://www.redalyc.org/journal/653/65375288017/html/ https://www.redalyc.org/journal/653/65375288017/65375288017.epub https://www.redalyc.org/journal/653/65375288017/movil |