Islamic Geometry Reinterpreted The Neo-Mamluk Windows of the Morrocan House

Fuente: Redalyc
Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Sarah Keller
Format: Artículo científico
Sprache:en
Veröffentlicht: Universität Bern 2021
Schlagworte:
Online-Zugang:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
_version_ 1876472766213914624
author Sarah Keller
author_facet Sarah Keller
contents Islamic Geometry Reinterpreted The Neo-Mamluk Windows of the Morrocan House Sarah Keller Arquitectura neo Cairo Islamic Stained glass world exhibition In the second half of the nineteenth century, there was a growing interest in Western countries for Islamic stucco glass windows, which were known from descriptions in books and as imported artifacts. Among the oldest publications is Émile Prisse d’Avennes’ (1807-1879) L’art arabe d’après les monuments du Kaire depuis le VIIe siècle jusqu’à la fln du XVIIIe. One year after its publication in 1877, its illustrations inspired the geometrical patterns of the windows of the Moroccan House, a neo-Moorish pavilion in the park of Linderhof Palace (Ettal, Germany). 2021 artículo científico 2673-4354 https://www.redalyc.org/articulo.oa?id=664670332003 https://www.redalyc.org/journal/6646/664670332003/ https://www.redalyc.org/journal/6646/664670332003/html/ https://www.redalyc.org/journal/6646/664670332003/664670332003.epub https://www.redalyc.org/journal/6646/664670332003/movil en http://www.redalyc.org/revista.oa?id=6646 Manazir Journal application/pdf Universität Bern Manazir Journal (Suiza) Vol.3
format Artículo científico
id redalyc_664670332003
institution Redalyc
language en
publishDate 2021
publisher Universität Bern
spellingShingle Islamic Geometry Reinterpreted The Neo-Mamluk Windows of the Morrocan House
Sarah Keller
Arquitectura
neo
Cairo
Islamic
Stained glass
world exhibition
Islamic Geometry Reinterpreted The Neo-Mamluk Windows of the Morrocan House Sarah Keller Arquitectura neo Cairo Islamic Stained glass world exhibition In the second half of the nineteenth century, there was a growing interest in Western countries for Islamic stucco glass windows, which were known from descriptions in books and as imported artifacts. Among the oldest publications is Émile Prisse d’Avennes’ (1807-1879) L’art arabe d’après les monuments du Kaire depuis le VIIe siècle jusqu’à la fln du XVIIIe. One year after its publication in 1877, its illustrations inspired the geometrical patterns of the windows of the Moroccan House, a neo-Moorish pavilion in the park of Linderhof Palace (Ettal, Germany). 2021 artículo científico 2673-4354 https://www.redalyc.org/articulo.oa?id=664670332003 https://www.redalyc.org/journal/6646/664670332003/ https://www.redalyc.org/journal/6646/664670332003/html/ https://www.redalyc.org/journal/6646/664670332003/664670332003.epub https://www.redalyc.org/journal/6646/664670332003/movil en http://www.redalyc.org/revista.oa?id=6646 Manazir Journal application/pdf Universität Bern Manazir Journal (Suiza) Vol.3
title Islamic Geometry Reinterpreted The Neo-Mamluk Windows of the Morrocan House
topic Arquitectura
neo
Cairo
Islamic
Stained glass
world exhibition
url https://www.redalyc.org/articulo.oa?id=664670332003
https://www.redalyc.org/journal/6646/664670332003/
https://www.redalyc.org/journal/6646/664670332003/html/
https://www.redalyc.org/journal/6646/664670332003/664670332003.epub
https://www.redalyc.org/journal/6646/664670332003/movil