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| Formato: | Artículo científico |
| Lenguaje: | en |
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Pontifícia Universidade Católica do Paraná
2024
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| Acceso en línea: | https://www.redalyc.org/articulo.oa?id=673377571039 https://www.redalyc.org/journal/6733/673377571039/ https://www.redalyc.org/journal/6733/673377571039/html/ https://www.redalyc.org/journal/6733/673377571039/673377571039.epub https://www.redalyc.org/journal/6733/673377571039/movil |
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| _version_ | 1866581695837241344 |
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| author | Mauro Senatore |
| author_facet | Mauro Senatore |
| contents | My word is my curse: Cavell’s reading of Austin after Derrida Mauro Senatore Filosofía Austin Cavell Derrida Tragedy Performatives In his influential essay “Signature, Event, Context” (1972), Derrida puts forward a shocking appraisal of Austin’s ground-breaking doctrine of the performative. He interprets Austin’s treatment of the failures that may affect performative utterances as the repetition of the traditional philosophical treatment of the negative. In this article, I will focus on an overlooked development of Derrida’s encounter with Austin’s text, namely, the response to the aforementioned appraisal that Stanley Cavell offers in his A Pitch of Philosophy (1994). I will show that, after and pace Derrida, Cavell reads Austin’s doctrine of the performative as the exploration of the tragic dimension that is peculiar to performative utterances and consists in the terrifying risk of unintelligibility. To this end, I will examine Cavell’s alternative interpretation of Austin’s treatment of the failures that concern actions and utterances in general, and his unpacking of Austin’s anti-moralist motto “my word is my bond” into the tragic “my word is my curse.” In particular, I will cast light on Cavell’s understanding of the relation between meaning and intention, as alternative to Derrida’s, that underpins his overall interpretation of Austin’s doctrine. 2024 artículo científico 2965-1557 https://www.redalyc.org/articulo.oa?id=673377571039 https://www.redalyc.org/journal/6733/673377571039/ https://www.redalyc.org/journal/6733/673377571039/html/ https://www.redalyc.org/journal/6733/673377571039/673377571039.epub https://www.redalyc.org/journal/6733/673377571039/movil 10.1590/2965-1557.036.e202430671 en http://www.redalyc.org/revista.oa?id=6733 Revista de Filosofía Aurora application/pdf Pontifícia Universidade Católica do Paraná Revista de Filosofía Aurora (Brasil) Vol.36 |
| format | Artículo científico |
| id | redalyc_673377571039 |
| language | en |
| publishDate | 2024 |
| publisher | Pontifícia Universidade Católica do Paraná |
| spellingShingle | My word is my curse: Cavell’s reading of Austin after Derrida Mauro Senatore Filosofía Austin Cavell Derrida Tragedy Performatives My word is my curse: Cavell’s reading of Austin after Derrida Mauro Senatore Filosofía Austin Cavell Derrida Tragedy Performatives In his influential essay “Signature, Event, Context” (1972), Derrida puts forward a shocking appraisal of Austin’s ground-breaking doctrine of the performative. He interprets Austin’s treatment of the failures that may affect performative utterances as the repetition of the traditional philosophical treatment of the negative. In this article, I will focus on an overlooked development of Derrida’s encounter with Austin’s text, namely, the response to the aforementioned appraisal that Stanley Cavell offers in his A Pitch of Philosophy (1994). I will show that, after and pace Derrida, Cavell reads Austin’s doctrine of the performative as the exploration of the tragic dimension that is peculiar to performative utterances and consists in the terrifying risk of unintelligibility. To this end, I will examine Cavell’s alternative interpretation of Austin’s treatment of the failures that concern actions and utterances in general, and his unpacking of Austin’s anti-moralist motto “my word is my bond” into the tragic “my word is my curse.” In particular, I will cast light on Cavell’s understanding of the relation between meaning and intention, as alternative to Derrida’s, that underpins his overall interpretation of Austin’s doctrine. 2024 artículo científico 2965-1557 https://www.redalyc.org/articulo.oa?id=673377571039 https://www.redalyc.org/journal/6733/673377571039/ https://www.redalyc.org/journal/6733/673377571039/html/ https://www.redalyc.org/journal/6733/673377571039/673377571039.epub https://www.redalyc.org/journal/6733/673377571039/movil 10.1590/2965-1557.036.e202430671 en http://www.redalyc.org/revista.oa?id=6733 Revista de Filosofía Aurora application/pdf Pontifícia Universidade Católica do Paraná Revista de Filosofía Aurora (Brasil) Vol.36 |
| title | My word is my curse: Cavell’s reading of Austin after Derrida |
| topic | Filosofía Austin Cavell Derrida Tragedy Performatives |
| url | https://www.redalyc.org/articulo.oa?id=673377571039 https://www.redalyc.org/journal/6733/673377571039/ https://www.redalyc.org/journal/6733/673377571039/html/ https://www.redalyc.org/journal/6733/673377571039/673377571039.epub https://www.redalyc.org/journal/6733/673377571039/movil |