The Image of an Architect and Masonic Symbols in Works by Milorad Pavić
Fuente:
Redalyc
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo científico |
| Lenguaje: | en |
| Publicado: |
Vilniaus Universitetas
2021
|
| Materias: | |
| Acceso en línea: | |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| _version_ | 1876447509678653440 |
|---|---|
| author | Zoriana Huk |
| author_facet | Zoriana Huk |
| contents | The Image of an Architect and Masonic Symbols in Works by Milorad Pavić Zoriana Huk Multidisciplinarias (Ciencias, Ciencias Sociales, Artes y Humanidades) bio auto texts graphicality Postmodernism The idea advanced in the paper is to theorize the mechanisms of autobiographicality in Stephen Dixon’s novels that are viewed as a radical renewal of autobiographical narrative, where the modality of disappearance/return of the subject produces a new mode of life-writing. We propose the term “autobiographical transgression” to capture the essence of this renewal started by three representative figures – John Barth, Stephen Dixon, and Joseph Heller that can be reduced neither to autobiography as a genre, nor to “transgressive autobiography” as its generic variant. Dixon finds a new form for representing autos. He creates the character with the name-deixis I. that personifies a fiduciary subject, thus, suggesting a provocative restatement of postmodernist generic problems. In the novels I. and End of I. the autobiographical hero I. exists simultaneously as a metaphor of the author’s presence in the text, as the subjective author’s I and as a character in the novel − an objectified, semi-functional, distancing I. The transplanting of life experience manifests itself in a special kind of repersonalization and double coding of the traditional autobiographical subject. 2021 artículo científico 2335-2388 https://www.redalyc.org/articulo.oa?id=694473930008 https://www.redalyc.org/journal/6944/694473930008/ https://www.redalyc.org/journal/6944/694473930008/html/ https://www.redalyc.org/journal/6944/694473930008/694473930008.epub https://www.redalyc.org/journal/6944/694473930008/movil https://doi.org/10.15388/RESPECTUS.2020.39.44.79 en http://www.redalyc.org/revista.oa?id=6944 Respectus Philologicus application/pdf Vilniaus Universitetas Respectus Philologicus (Lituania) Num.44 Vol.39 |
| format | Artículo científico |
| id | redalyc_694473930008 |
| institution | Redalyc |
| language | en |
| publishDate | 2021 |
| publisher | Vilniaus Universitetas |
| spellingShingle | The Image of an Architect and Masonic Symbols in Works by Milorad Pavić Zoriana Huk Multidisciplinarias (Ciencias, Ciencias Sociales, Artes y Humanidades) bio auto texts graphicality Postmodernism The Image of an Architect and Masonic Symbols in Works by Milorad Pavić Zoriana Huk Multidisciplinarias (Ciencias, Ciencias Sociales, Artes y Humanidades) bio auto texts graphicality Postmodernism The idea advanced in the paper is to theorize the mechanisms of autobiographicality in Stephen Dixon’s novels that are viewed as a radical renewal of autobiographical narrative, where the modality of disappearance/return of the subject produces a new mode of life-writing. We propose the term “autobiographical transgression” to capture the essence of this renewal started by three representative figures – John Barth, Stephen Dixon, and Joseph Heller that can be reduced neither to autobiography as a genre, nor to “transgressive autobiography” as its generic variant. Dixon finds a new form for representing autos. He creates the character with the name-deixis I. that personifies a fiduciary subject, thus, suggesting a provocative restatement of postmodernist generic problems. In the novels I. and End of I. the autobiographical hero I. exists simultaneously as a metaphor of the author’s presence in the text, as the subjective author’s I and as a character in the novel − an objectified, semi-functional, distancing I. The transplanting of life experience manifests itself in a special kind of repersonalization and double coding of the traditional autobiographical subject. 2021 artículo científico 2335-2388 https://www.redalyc.org/articulo.oa?id=694473930008 https://www.redalyc.org/journal/6944/694473930008/ https://www.redalyc.org/journal/6944/694473930008/html/ https://www.redalyc.org/journal/6944/694473930008/694473930008.epub https://www.redalyc.org/journal/6944/694473930008/movil https://doi.org/10.15388/RESPECTUS.2020.39.44.79 en http://www.redalyc.org/revista.oa?id=6944 Respectus Philologicus application/pdf Vilniaus Universitetas Respectus Philologicus (Lituania) Num.44 Vol.39 |
| title | The Image of an Architect and Masonic Symbols in Works by Milorad Pavić |
| topic | Multidisciplinarias (Ciencias, Ciencias Sociales, Artes y Humanidades) bio auto texts graphicality Postmodernism |
| url | https://www.redalyc.org/articulo.oa?id=694473930008 https://www.redalyc.org/journal/6944/694473930008/ https://www.redalyc.org/journal/6944/694473930008/html/ https://www.redalyc.org/journal/6944/694473930008/694473930008.epub https://www.redalyc.org/journal/6944/694473930008/movil https://doi.org/10.15388/RESPECTUS.2020.39.44.79 |