Rescuing new media art from technological obsolescence
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Redalyc
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Universidade Anhembi Morumbi
2019
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| _version_ | 1876465057664073728 |
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| author | Rene G Cepeda |
| author_facet | Rene G Cepeda |
| contents | Rescuing new media art from technological obsolescence Rene G Cepeda Arte Storage Emulation Migration New Media Art Reinterpretation As time passes and digital technologies become obsolete, more and more new media artworks face the possibility of being lost forever. As many new media artworks depend on certain technologies, when these technologies are replaced with other or are not available any more, steps should be taken to make older artworks compatible with newer technologies that replace them. Using Jon Ippolito’s concepts of storage, emulation, migration and reinterpretation, this text attempts to provide a basic framework to understand each different concept and the advantages and disadvantages to their implementation. This is all done using Gilbertto Prado’s restoration of Desertesejo (2000/2014/2018) to illustrate the process. 2019 artículo científico 2526-1789 https://www.redalyc.org/articulo.oa?id=758079708014 en http://www.redalyc.org/revista.oa?id=7580 DATJournal application/pdf Universidade Anhembi Morumbi DATJournal (Brasil) Num.3 Vol.4 |
| format | Artículo científico |
| id | redalyc_758079708014 |
| institution | Redalyc |
| language | en |
| publishDate | 2019 |
| publisher | Universidade Anhembi Morumbi |
| spellingShingle | Rescuing new media art from technological obsolescence Rene G Cepeda Arte Storage Emulation Migration New Media Art Reinterpretation Rescuing new media art from technological obsolescence Rene G Cepeda Arte Storage Emulation Migration New Media Art Reinterpretation As time passes and digital technologies become obsolete, more and more new media artworks face the possibility of being lost forever. As many new media artworks depend on certain technologies, when these technologies are replaced with other or are not available any more, steps should be taken to make older artworks compatible with newer technologies that replace them. Using Jon Ippolito’s concepts of storage, emulation, migration and reinterpretation, this text attempts to provide a basic framework to understand each different concept and the advantages and disadvantages to their implementation. This is all done using Gilbertto Prado’s restoration of Desertesejo (2000/2014/2018) to illustrate the process. 2019 artículo científico 2526-1789 https://www.redalyc.org/articulo.oa?id=758079708014 en http://www.redalyc.org/revista.oa?id=7580 DATJournal application/pdf Universidade Anhembi Morumbi DATJournal (Brasil) Num.3 Vol.4 |
| title | Rescuing new media art from technological obsolescence |
| topic | Arte Storage Emulation Migration New Media Art Reinterpretation |
| url | https://www.redalyc.org/articulo.oa?id=758079708014 |