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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Sociedad de Etnomusicología
2005
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| Accesso online: | https://www.redalyc.org/articulo.oa?id=82200903 |
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Sommario:
- "Somos Cubanos!" - timba cubana and the construction of national identity in Cuban popular music Patrick Froelicher Arte The complex processes that led to the emergence of salsa as an expression of a Latinidentity for Spanish-speaking people in New York City constitute the background beforewhich the Cuban timba discourse has to be seen. Timba, I argue, is the consequentcontinuation of the Cuban anti-salsa-discourse from the 1980s, which regarded salsabasically as a commercial label for Cuban music played by non-Cuban musicians. I interprettimba as an attempt by Cuban musicians to distinguish themselves from the internationalSalsa scene. This distinction is aspired by regular references to the contemporary changes inCuban society after the collapse of the Soviet Union. Thus, the timba is a child of thesocialist Cuban music landscape as well as a product of the rapidly changing Cuban societyof the 1990s. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200903 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9