Embodiment and musical experience
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Redalyc
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Sociedad de Etnomusicología
2005
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| _version_ | 1876467817980624896 |
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| author | Ramón Pelinski |
| author_facet | Ramón Pelinski |
| contents | Embodiment and musical experience Ramón Pelinski Arte neuro perception experience corporeality linguisticity The main goal of this essay is to show how the human condition of embodiment isimplicated in our current musical practices and discourses, informed by the preconceptualand pre-rational basis of habits, bodily schemata, auditory images,metaphors, etc., which in turn rely on perception as a primarily brain-body-involvingneural process.I also intend to show that embodiment plays a decisive role in the production ofmusical meanings. Although experienced and constituted primarily through thesubjective act of intentional perception, these meanings are open to the social andnatural environment with which they are actively connected. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200914 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| format | Artículo científico |
| id | redalyc_82200914 |
| institution | Redalyc |
| language | en |
| publishDate | 2005 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | Embodiment and musical experience Ramón Pelinski Arte neuro perception experience corporeality linguisticity Embodiment and musical experience Ramón Pelinski Arte neuro perception experience corporeality linguisticity The main goal of this essay is to show how the human condition of embodiment isimplicated in our current musical practices and discourses, informed by the preconceptualand pre-rational basis of habits, bodily schemata, auditory images,metaphors, etc., which in turn rely on perception as a primarily brain-body-involvingneural process.I also intend to show that embodiment plays a decisive role in the production ofmusical meanings. Although experienced and constituted primarily through thesubjective act of intentional perception, these meanings are open to the social andnatural environment with which they are actively connected. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200914 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| title | Embodiment and musical experience |
| topic | Arte neuro perception experience corporeality linguisticity |
| url | https://www.redalyc.org/articulo.oa?id=82200914 |