Body, mind and music: musical semantics between experiential cognition and cognitive economy
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| Formato: | Artículo científico |
| Lenguaje: | en |
| Publicado: |
Sociedad de Etnomusicología
2005
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| _version_ | 1876485287382614016 |
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| author | Mark Reybrouck |
| author_facet | Mark Reybrouck |
| contents | Body, mind and music: musical semantics between experiential cognition and cognitive economy Mark Reybrouck Arte This article argues for a processual and experiential approach to dealing with music.Starting from the theoretical writings of James, Dewey and von Uexküll as well asfrom empirical evidence from current neurobiological research, it introduces anadaptive model of sense-making, relying heavily on the epistemological paradigmsof embodied and experiential cognition. Central in this approach is an enactiveconception of music cognition as the outcome of interactions with the sounds,stressing the role of the cogniser as an actor who constructs and organises his/herknowledge. This involves low-level reactive machinerya kind of lock-and-keyaswell as higher-order cognitive mediation that goes beyond mere causality and thatallows the music user to cope with the sounds. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200916 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| format | Artículo científico |
| id | redalyc_82200916 |
| institution | Redalyc |
| language | en |
| publishDate | 2005 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | Body, mind and music: musical semantics between experiential cognition and cognitive economy Mark Reybrouck Arte Body, mind and music: musical semantics between experiential cognition and cognitive economy Mark Reybrouck Arte This article argues for a processual and experiential approach to dealing with music.Starting from the theoretical writings of James, Dewey and von Uexküll as well asfrom empirical evidence from current neurobiological research, it introduces anadaptive model of sense-making, relying heavily on the epistemological paradigmsof embodied and experiential cognition. Central in this approach is an enactiveconception of music cognition as the outcome of interactions with the sounds,stressing the role of the cogniser as an actor who constructs and organises his/herknowledge. This involves low-level reactive machinerya kind of lock-and-keyaswell as higher-order cognitive mediation that goes beyond mere causality and thatallows the music user to cope with the sounds. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200916 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| title | Body, mind and music: musical semantics between experiential cognition and cognitive economy |
| topic | Arte |
| url | https://www.redalyc.org/articulo.oa?id=82200916 |