Gesture in contemporary music on the edge between sound materiality and signification
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| Format: | Artículo científico |
| Langue: | en |
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Sociedad de Etnomusicología
2005
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| _version_ | 1876470999891836928 |
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| author | Edson Zanpronha |
| author_facet | Edson Zanpronha |
| contents | Gesture in contemporary music on the edge between sound materiality and signification Edson Zanpronha Arte In this paper I approach a variety of topics related to musical gesture in contemporarymusic. I explain how gesture can be understood in contemporary music. I show thatsound materiality and signification are very closely related and that gesture is on theedge between them; that gestures can be regarded as a natural ground to justifycompositional options; that significations can be introduced by gestures into thecomposition, and that to deconstruct stereotyped symbolic gestures is to bring themcloser to sound materiality. I analyze transcultural significations in gesture and thereduction of signification to gesture. I comment on gesture in performance in theparticular case of electroacoustic music, and I conclude by commenting on gesture andthe poetic conception of the contemporary music as a resource to concentrate listeningin one of its central plots. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200917 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| format | Artículo científico |
| id | redalyc_82200917 |
| institution | Redalyc |
| language | en |
| publishDate | 2005 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | Gesture in contemporary music on the edge between sound materiality and signification Edson Zanpronha Arte Gesture in contemporary music on the edge between sound materiality and signification Edson Zanpronha Arte In this paper I approach a variety of topics related to musical gesture in contemporarymusic. I explain how gesture can be understood in contemporary music. I show thatsound materiality and signification are very closely related and that gesture is on theedge between them; that gestures can be regarded as a natural ground to justifycompositional options; that significations can be introduced by gestures into thecomposition, and that to deconstruct stereotyped symbolic gestures is to bring themcloser to sound materiality. I analyze transcultural significations in gesture and thereduction of signification to gesture. I comment on gesture in performance in theparticular case of electroacoustic music, and I conclude by commenting on gesture andthe poetic conception of the contemporary music as a resource to concentrate listeningin one of its central plots. 2005 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82200917 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.9 |
| title | Gesture in contemporary music on the edge between sound materiality and signification |
| topic | Arte |
| url | https://www.redalyc.org/articulo.oa?id=82200917 |