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| Format: | Artículo científico |
| Language: | es |
| Published: |
Sociedad de Etnomusicología
2006
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| Subjects: | |
| Online Access: | https://www.redalyc.org/articulo.oa?id=82201016 |
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| _version_ | 1866568333946519552 |
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| author | Julia Shpinitskaya |
| author_facet | Julia Shpinitskaya |
| contents | Solaris by A.Tarkovsky: music-visual troping, paradigmatism, cognitive stereoscopy Julia Shpinitskaya Arte The article considers signification processes in Solaris by the legendary film-maker A.Tarkovsky. The narration of the film is codified with the musical and visual set ofquotations: it includes texts, which belong to non-cinematic arts. The process ofcomprehension runs as a reflection of one image in another one or refraction of oneimage through another. By this accumulation of metaphors there comes themultidimensional vision of a subject and the narrative reality doubles and trebles. Thequotations build up the fundamental cognitive textual channel of the film, whichunfolds independently in parallel and through the main film narration. Theinvestigation follows the crossing points of the diachronical musical and visual textualchains and synchronises the meaning of the musical and visual metaphors. 2006 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82201016 es http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.10 |
| format | Artículo científico |
| id | redalyc_82201016 |
| language | es |
| publishDate | 2006 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | Solaris by A.Tarkovsky: music-visual troping, paradigmatism, cognitive stereoscopy Julia Shpinitskaya Arte Solaris by A.Tarkovsky: music-visual troping, paradigmatism, cognitive stereoscopy Julia Shpinitskaya Arte The article considers signification processes in Solaris by the legendary film-maker A.Tarkovsky. The narration of the film is codified with the musical and visual set ofquotations: it includes texts, which belong to non-cinematic arts. The process ofcomprehension runs as a reflection of one image in another one or refraction of oneimage through another. By this accumulation of metaphors there comes themultidimensional vision of a subject and the narrative reality doubles and trebles. Thequotations build up the fundamental cognitive textual channel of the film, whichunfolds independently in parallel and through the main film narration. Theinvestigation follows the crossing points of the diachronical musical and visual textualchains and synchronises the meaning of the musical and visual metaphors. 2006 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82201016 es http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.10 |
| title | Solaris by A.Tarkovsky: music-visual troping, paradigmatism, cognitive stereoscopy |
| topic | Arte |
| url | https://www.redalyc.org/articulo.oa?id=82201016 |