The deconstruction of history, music and the autonomy of art in the post-modern aesthetic

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Auteur principal: Ainhoa Kaiero Claver
Format: Artículo científico
Langue:en
Publié: Sociedad de Etnomusicología 2008
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author Ainhoa Kaiero Claver
author_facet Ainhoa Kaiero Claver
contents The deconstruction of history, music and the autonomy of art in the post-modern aesthetic Ainhoa Kaiero Claver Arte Postmodern music modern music deconstruction – post historical era – intermedia practices ´Post-modern music´ is an epistemological category which was created with the aim ofdrawing together and describing several contemporary tendencies which contradict theaesthetic premises that used to maintain modern art. As other terms that mark out our artisticvocabulary (neoclassicism, etc), this category is creating debates and a spread of differentapproaches and nuances. Opposite the globalizing definitions which bring up a newpost-historical age, this article considers post-modernism as an aesthetic paradigm which isdepicted by some specific conceptual and operating coordinates. In this way, what is beingstudied is the deconstruction that these expressions carry out in both the historical accountsand the concepts of pure music and autonomous art which appear in modern music. 2008 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82201219 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.12
format Artículo científico
id redalyc_82201219
institution Redalyc
language en
publishDate 2008
publisher Sociedad de Etnomusicología
spellingShingle The deconstruction of history, music and the autonomy of art in the post-modern aesthetic
Ainhoa Kaiero Claver
Arte
Postmodern music
modern music deconstruction – post
historical era – intermedia practices
The deconstruction of history, music and the autonomy of art in the post-modern aesthetic Ainhoa Kaiero Claver Arte Postmodern music modern music deconstruction – post historical era – intermedia practices ´Post-modern music´ is an epistemological category which was created with the aim ofdrawing together and describing several contemporary tendencies which contradict theaesthetic premises that used to maintain modern art. As other terms that mark out our artisticvocabulary (neoclassicism, etc), this category is creating debates and a spread of differentapproaches and nuances. Opposite the globalizing definitions which bring up a newpost-historical age, this article considers post-modernism as an aesthetic paradigm which isdepicted by some specific conceptual and operating coordinates. In this way, what is beingstudied is the deconstruction that these expressions carry out in both the historical accountsand the concepts of pure music and autonomous art which appear in modern music. 2008 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82201219 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.12
title The deconstruction of history, music and the autonomy of art in the post-modern aesthetic
topic Arte
Postmodern music
modern music deconstruction – post
historical era – intermedia practices
url https://www.redalyc.org/articulo.oa?id=82201219