More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Sociedad de Etnomusicología
2009
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| _version_ | 1876476277383233536 |
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| author | Jnan Blau |
| author_facet | Jnan Blau |
| contents | More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance Jnan Blau Arte Phish Philip Auslander Performative Topoi Performance Studies cultural performance This article explores the relevance performance studies to music scholarship by doing three interrelated actions. First, the author reassesses Pelias and VanOosting's influential essay "A Paradigm for Performance Studies" and suggest that their four performative topoi offer important insights into establishing transdisciplinary connections between music scholarship and performance studies. The second and third prongs of the essay unfold as the author moves through a discussion of two scholars' work and approaches to music and performance studies, Philip Auslander's and himself. Reflecting on the author's research on the U.S.-based band Phish and its scene, he attempts to leave the reader with a deepened understanding of (some of) the interconnections between music and performance studies. 2009 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82220946005 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.13 |
| format | Artículo científico |
| id | redalyc_82220946005 |
| institution | Redalyc |
| language | en |
| publishDate | 2009 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance Jnan Blau Arte Phish Philip Auslander Performative Topoi Performance Studies cultural performance More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance Jnan Blau Arte Phish Philip Auslander Performative Topoi Performance Studies cultural performance This article explores the relevance performance studies to music scholarship by doing three interrelated actions. First, the author reassesses Pelias and VanOosting's influential essay "A Paradigm for Performance Studies" and suggest that their four performative topoi offer important insights into establishing transdisciplinary connections between music scholarship and performance studies. The second and third prongs of the essay unfold as the author moves through a discussion of two scholars' work and approaches to music and performance studies, Philip Auslander's and himself. Reflecting on the author's research on the U.S.-based band Phish and its scene, he attempts to leave the reader with a deepened understanding of (some of) the interconnections between music and performance studies. 2009 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82220946005 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.13 |
| title | More than "Just" Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance |
| topic | Arte Phish Philip Auslander Performative Topoi Performance Studies cultural performance |
| url | https://www.redalyc.org/articulo.oa?id=82220946005 |