Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson
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| Natura: | Artículo científico |
| Lingua: | en |
| Pubblicazione: |
Sociedad de Etnomusicología
2010
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| _version_ | 1876483028317896704 |
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| author | Ainhoa Kaiero Claver |
| author_facet | Ainhoa Kaiero Claver |
| contents | Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson Ainhoa Kaiero Claver Arte postmodern fiction narrative identity Technological fiction minimal electronic music enunciative narratology and musicology Laurie Anderson's multimedia performances explore the impact of technology on memory and the construction of both individual and collective identity. Her stories and songs are thus related to other contemporary genres such as postmodern fiction and Cyber-punk. Her work analyses the new modes of perception which use technology and which locate the human being between the moment of the lived experience and the moment of recording, that is to say, in a virtual time in which the simultaneous presence and absence of events are mixed. All this helps us reflect on the loss of the present subject, of self experience, in the era of information and communication. 2010 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82220947006 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.14 |
| format | Artículo científico |
| id | redalyc_82220947006 |
| institution | Redalyc |
| language | en |
| publishDate | 2010 |
| publisher | Sociedad de Etnomusicología |
| spellingShingle | Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson Ainhoa Kaiero Claver Arte postmodern fiction narrative identity Technological fiction minimal electronic music enunciative narratology and musicology Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson Ainhoa Kaiero Claver Arte postmodern fiction narrative identity Technological fiction minimal electronic music enunciative narratology and musicology Laurie Anderson's multimedia performances explore the impact of technology on memory and the construction of both individual and collective identity. Her stories and songs are thus related to other contemporary genres such as postmodern fiction and Cyber-punk. Her work analyses the new modes of perception which use technology and which locate the human being between the moment of the lived experience and the moment of recording, that is to say, in a virtual time in which the simultaneous presence and absence of events are mixed. All this helps us reflect on the loss of the present subject, of self experience, in the era of information and communication. 2010 artículo científico 1697-0101 https://www.redalyc.org/articulo.oa?id=82220947006 en http://www.redalyc.org/revista.oa?id=822 Trans. Revista Transcultural de Música application/pdf Sociedad de Etnomusicología Trans. Revista Transcultural de Música (España) Num.14 |
| title | Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson |
| topic | Arte postmodern fiction narrative identity Technological fiction minimal electronic music enunciative narratology and musicology |
| url | https://www.redalyc.org/articulo.oa?id=82220947006 |