Madrid, Alejandro L. (ed.): Transnational Encounters. Music and Performance at the U.S.-Mexico Border. New York: Oxford University Press, 2011, 406 pp. ISBN: 978-0-19-973593-8

Documenti analoghi

• Músicas sin patria o los nuevos lenguajes de la era post-industrial: paratextualidad y Electronica
  di: Susana Asensio Llamas
  Pubblicazione: (2004)
• Samuel Llano. Whose Spain? Negotiating “Spanish Music” in Paris, 1909-1929. Oxford: Oxford University Press, 2013, 270 pp. ISBN 978-0-19-985846-0
  di: Cristina Cruces-Roldán
  Pubblicazione: (2015)
• Jason Toynbee and Byron Dueck (eds): Migrating Music. London and New York, Routledge, 2011. 256 pp. ISBN 978-0-415-59448-6
  di: Bart Paul Vanspauwen
  Pubblicazione: (2014)
• Alejandro L. Madrid y Robin D. Moore. Danzón. Circum-Caribbean Dialogues in Music and Dance. Oxford: Oxford University Press, 2013. 279 pp. ISBN: 978-0-19-996580-0 (hardback); ISBN 978-0-19-996582-3 (pbk). Incluye: fotografías, gráficos, ejemplos musicales (partituras) y ejemplos sonorous y audiovisuales (http://www.uop.com/us/danzon)
  di: Anna Costal i Fornells
  Pubblicazione: (2016)
• White, Bob W. (ed.). 2012. Music and Globalization: Critical Encounters. Bloomington: Indiana University Press, 248 pages.
  di: Tatyana de Alencar Jacques
  Pubblicazione: (2013)