Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968

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1. Verfasser: Charles Kirschbaum
Format: Artículo científico
Sprache:en
Veröffentlicht: Associação Nacional de Pós-Graduação e Pesquisa em Administração 2006
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author Charles Kirschbaum
author_facet Charles Kirschbaum
contents Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968 Charles Kirschbaum Administración y Contabilidad neo music industry institutionalism sociology of arts organizational fields A central concern in neo-institutional research is the genesis of new organizational fields. This article exploresthe emergence of the MPB (Brazilian Popular Music) field in tandem with the organization of music festivals inthe sixties. The festivals were instrumental in combining musicians, critics and the audience in a forum relativelybuffered from the music industry influence. This interaction supported the introduction and diffusion of newinfluences in the popular music field, and at the same time, it consecrated the category MPB as a high-brow artform. The festivals’ design provoked two unintended consequences: the conflict between musicians and theaudience, and between musicians and the jury. While several musicians strived to conquer autonomy for theircreative activity, the audience claimed its supremacy. As a result, musicians exerted pressure on the jury tobuffer the aesthetical criteria from the audience. It concludes with a critical appraisal of the role of festivals inthe evolution of the MPB field. 2006 artículo científico 1807-7692 https://www.redalyc.org/articulo.oa?id=84130205 en http://www.redalyc.org/revista.oa?id=841 BAR - Brazilian Administration Review application/pdf Associação Nacional de Pós-Graduação e Pesquisa em Administração BAR - Brazilian Administration Review (Brasil) Num.2 Vol.3
format Artículo científico
id redalyc_84130205
institution Redalyc
language en
publishDate 2006
publisher Associação Nacional de Pós-Graduação e Pesquisa em Administração
spellingShingle Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968
Charles Kirschbaum
Administración y Contabilidad
neo
music industry
institutionalism
sociology of arts
organizational fields
Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968 Charles Kirschbaum Administración y Contabilidad neo music industry institutionalism sociology of arts organizational fields A central concern in neo-institutional research is the genesis of new organizational fields. This article exploresthe emergence of the MPB (Brazilian Popular Music) field in tandem with the organization of music festivals inthe sixties. The festivals were instrumental in combining musicians, critics and the audience in a forum relativelybuffered from the music industry influence. This interaction supported the introduction and diffusion of newinfluences in the popular music field, and at the same time, it consecrated the category MPB as a high-brow artform. The festivals’ design provoked two unintended consequences: the conflict between musicians and theaudience, and between musicians and the jury. While several musicians strived to conquer autonomy for theircreative activity, the audience claimed its supremacy. As a result, musicians exerted pressure on the jury tobuffer the aesthetical criteria from the audience. It concludes with a critical appraisal of the role of festivals inthe evolution of the MPB field. 2006 artículo científico 1807-7692 https://www.redalyc.org/articulo.oa?id=84130205 en http://www.redalyc.org/revista.oa?id=841 BAR - Brazilian Administration Review application/pdf Associação Nacional de Pós-Graduação e Pesquisa em Administração BAR - Brazilian Administration Review (Brasil) Num.2 Vol.3
title Organizational Design for Institutional Change: the case of MPB Festivals, 1960 to 1968
topic Administración y Contabilidad
neo
music industry
institutionalism
sociology of arts
organizational fields
url https://www.redalyc.org/articulo.oa?id=84130205