Sensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes

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Autore principale: Loredana Niculet
Natura: Artículo científico
Lingua:en
Pubblicazione: Universidad del Norte 2011
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author Loredana Niculet
author_facet Loredana Niculet
contents Sensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes Loredana Niculet Filosofía avant gardes aesthetic idea Sensus communis philosophy of art The conceptual basis which would be later developed by the artistic avant-gardes was settled by German Romantic and Idealist thought, whose utopian dimension could be easily recognized in The oldest systemprogram of German Idealism (1796), a text which provided Idealist thought with the claim of a new rationality or a mythology of reason in Hegel, an intellectual intuition in Schelling and the Humanity in Schiller. Although this emancipation project developed later by the avant-garde has lost its credibility for us, we still have to investigate to what extent today's art can maintain a social function. This article point out certain idealist concepts in light of a philosophy of art modeled along lines sketched out in Kant's Critique of Judgement and that have contributed to the history of the "advanced" art. 2011 artículo científico 1692-8857 https://www.redalyc.org/articulo.oa?id=85422476008 en http://www.redalyc.org/revista.oa?id=854 Eidos: Revista de Filosofía de la Universidad del Norte application/pdf Universidad del Norte Eidos: Revista de Filosofía de la Universidad del Norte (Colombia) Num.14
format Artículo científico
id redalyc_85422476008
institution Redalyc
language en
publishDate 2011
publisher Universidad del Norte
spellingShingle Sensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes
Loredana Niculet
Filosofía
avant
gardes
aesthetic idea
Sensus communis
philosophy of art
Sensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes Loredana Niculet Filosofía avant gardes aesthetic idea Sensus communis philosophy of art The conceptual basis which would be later developed by the artistic avant-gardes was settled by German Romantic and Idealist thought, whose utopian dimension could be easily recognized in The oldest systemprogram of German Idealism (1796), a text which provided Idealist thought with the claim of a new rationality or a mythology of reason in Hegel, an intellectual intuition in Schelling and the Humanity in Schiller. Although this emancipation project developed later by the avant-garde has lost its credibility for us, we still have to investigate to what extent today's art can maintain a social function. This article point out certain idealist concepts in light of a philosophy of art modeled along lines sketched out in Kant's Critique of Judgement and that have contributed to the history of the "advanced" art. 2011 artículo científico 1692-8857 https://www.redalyc.org/articulo.oa?id=85422476008 en http://www.redalyc.org/revista.oa?id=854 Eidos: Revista de Filosofía de la Universidad del Norte application/pdf Universidad del Norte Eidos: Revista de Filosofía de la Universidad del Norte (Colombia) Num.14
title Sensus communis aestheticus and the project of emancipation: The Utopian frame of the avant-gardes
topic Filosofía
avant
gardes
aesthetic idea
Sensus communis
philosophy of art
url https://www.redalyc.org/articulo.oa?id=85422476008