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| Format: | Artículo científico |
| Language: | en |
| Published: |
Universidad del Centro Educativo Latinoamericano
2004
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| Subjects: | |
| Online Access: | https://www.redalyc.org/articulo.oa?id=87701203 |
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Table of Contents:
- The iconic and the symbolic: the consumersociety in don delillos white noiseand andy warhols serigraphies Emilse B. Hidalgo Filosofía The purpose of the present work is to analyse how the ideological principles that underlie theworkings of a consumer society in a postmodern era inform Andy Warhols serigraphies and Don DeLillosWhite Noise. Andy Warhol is presented as the quintessential Pop Artist and Don DeLillo as a postmodern wri-ter critically engaged with American cultural and political matters. A description of the fundamental ideas thatunderlie a consumer society and their role and influence in the shaping of the self and of reality precedes ananalysis of how this ideology finds expression in the iconic representations of Andy Warhols serigraphies andin the symbolic rendering of Don DeLillos novel 2004 artículo científico 0329-3475 https://www.redalyc.org/articulo.oa?id=87701203 en http://www.redalyc.org/revista.oa?id=877 Invenio application/pdf Universidad del Centro Educativo Latinoamericano Invenio (Argentina) Num.12 Vol.7