Creating the Complexo de Israel: Religion, Urban Orders, and Aesthetics in Rio de Janeiro

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Hauptverfasser: Jolien van Veen, Martijn Oosterbaan
Format: Artículo Open Access
Veröffentlicht: Wiley 2025
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author Jolien van Veen
Martijn Oosterbaan
author_facet Jolien van Veen
Martijn Oosterbaan
Jolien van Veen
Martijn Oosterbaan
collection Wiley Open Access
contents Creating the Complexo de Israel: Religion, Urban Orders, and Aesthetics in Rio de Janeiro Jolien van Veen Martijn Oosterbaan City & Society ABSTRACTThis article centers on the relation between religion, criminal(ized) economies, and the production of urban space in Rio de Janeiro, Brazil. Our empirical focus lies on the Israel Complex, a cluster of favelas located in the city's northern periphery. The contested formation of the complex hinges on visual and discursive repertoires of city‐making in which hybrid religious references derived from Catholicism, Pentecostal Christianity, and Judaism are combined with the aesthetics and territorial politics related to the drug trafficking industry. These hybrid religious references appear on murals near entrance/exit points of the complex, on landmarks, and in online and printed communications issued by members of the local drug trafficking gang. The combination of religious references and criminal(ized) aesthetics supports an emerging and tentative urban order that could best be seen as a theopolitical project consisting of different socio‐economic entanglements. 10.1111/ciso.70013 http://creativecommons.org/licenses/by/4.0/
doi_str_mv 10.1111/ciso.70013
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spellingShingle Creating the Complexo de Israel: Religion, Urban Orders, and Aesthetics in Rio de Janeiro
Jolien van Veen
Martijn Oosterbaan
City & Society
Creating the Complexo de Israel: Religion, Urban Orders, and Aesthetics in Rio de Janeiro Jolien van Veen Martijn Oosterbaan City & Society ABSTRACTThis article centers on the relation between religion, criminal(ized) economies, and the production of urban space in Rio de Janeiro, Brazil. Our empirical focus lies on the Israel Complex, a cluster of favelas located in the city's northern periphery. The contested formation of the complex hinges on visual and discursive repertoires of city‐making in which hybrid religious references derived from Catholicism, Pentecostal Christianity, and Judaism are combined with the aesthetics and territorial politics related to the drug trafficking industry. These hybrid religious references appear on murals near entrance/exit points of the complex, on landmarks, and in online and printed communications issued by members of the local drug trafficking gang. The combination of religious references and criminal(ized) aesthetics supports an emerging and tentative urban order that could best be seen as a theopolitical project consisting of different socio‐economic entanglements. 10.1111/ciso.70013 http://creativecommons.org/licenses/by/4.0/
title Creating the Complexo de Israel: Religion, Urban Orders, and Aesthetics in Rio de Janeiro
topic City & Society
url https://anthrosource.onlinelibrary.wiley.com/doi/10.1111/ciso.70013