LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS
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| Format: | Artículo Open Access |
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2024
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| _version_ | 1867008898001534976 |
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| author | Andree Michaelis‐König |
| author_facet | Andree Michaelis‐König Andree Michaelis‐König |
| collection | Wiley Open Access |
| contents | LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS Andree Michaelis‐König German Life and Letters AbstractLouise Aston's work during the 1840s is usually read within the context of the author's life and biography. This paper differs from this reading. Instead, I explore the extent to which a reading fixated on the author's life runs the risk of overlooking the perspective of behaviours and gender roles that Aston portrayed in her fictional worlds. Using Aston's poem cycle Wilde Rosen (1846), her 1846 pamphlet Meine Emancipation, Verweisung und Rechtfertigung and the three novels Aus dem Leben einer Frau (1847), Lydia (1848) and Revolution und Contrerevolution (1850), I analyse some of the central motifs of her work. Furthermore, I examine Aston's analysis of socio‐economic violence against women and the intersectional perspective in the context of the situation of the proletarian workers of her time. Finally, my focus lies on Aston's gender practices, as can be seen particularly in her character Alice von Rosen. It is precisely Aston's intersectional connection between gender, and sexual and socio‐economic violence that make her literary works so intriguing up to this day. 10.1111/glal.12421 http://creativecommons.org/licenses/by-nc/4.0/ |
| doi_str_mv | 10.1111/glal.12421 |
| format | Artículo Open Access |
| id | wiley_oa_10_1111_glal_12421 |
| institution | Wiley Open Access |
| license_str_mv | http://creativecommons.org/licenses/by-nc/4.0/ |
| publishDate | 2024 |
| publisher | Wiley |
| record_format | wiley_oa |
| spellingShingle | LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS Andree Michaelis‐König German Life and Letters LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS Andree Michaelis‐König German Life and Letters AbstractLouise Aston's work during the 1840s is usually read within the context of the author's life and biography. This paper differs from this reading. Instead, I explore the extent to which a reading fixated on the author's life runs the risk of overlooking the perspective of behaviours and gender roles that Aston portrayed in her fictional worlds. Using Aston's poem cycle Wilde Rosen (1846), her 1846 pamphlet Meine Emancipation, Verweisung und Rechtfertigung and the three novels Aus dem Leben einer Frau (1847), Lydia (1848) and Revolution und Contrerevolution (1850), I analyse some of the central motifs of her work. Furthermore, I examine Aston's analysis of socio‐economic violence against women and the intersectional perspective in the context of the situation of the proletarian workers of her time. Finally, my focus lies on Aston's gender practices, as can be seen particularly in her character Alice von Rosen. It is precisely Aston's intersectional connection between gender, and sexual and socio‐economic violence that make her literary works so intriguing up to this day. 10.1111/glal.12421 http://creativecommons.org/licenses/by-nc/4.0/ |
| title | LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS |
| topic | German Life and Letters |
| url | https://onlinelibrary.wiley.com/doi/10.1111/glal.12421 |