Imagen de Portada

Feamainne (Seaweed) Sensory Biocultural Heritage in Ireland's Gaeltacht Archipelago

Fuente: Wiley Open Access

Guardado en:

Detalles Bibliográficos
Autores principales:	Fiona P. McDonald, Stephen G. S. Foster, Mike Evans
Formato:	Artículo Open Access
Publicado:	Wiley 2025
Materias:	Visual Anthropology Review
Acceso en línea:	Acceder al recurso
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

Ejemplares similares

Game design as multimodal intervention: Exploring Cuban media reality through the ethnographic video game PakeTown
por: Steffen Köhn, et al.
Publicado: (2025)

Compositing the body: Ethical expertise among professional photographic retouchers
por: Matthew Raj Webb
Publicado: (2025)

Sharing the past: A reciprocal approach to community‐engaged research
por: Kirk French
Publicado: (2025)

Pictured exchanges, quiet conversations, and silenced voices: Listening to the US Information Agency photographic collection
por: Darren Newbury
Publicado: (2025)

Co‐playwriting between screens: The aesthetics of access in multimodal anthropology
por: A. J. Jones
Publicado: (2025)

(Re)sounding photographs: The politics of silence and the cacophony of memory from Idi Amin's Uganda
por: Richard Vokes
Publicado: (2025)

Purple Sea directed by Amel Alzakout and Khaled Abdulwahed, LightDox 2020, 67 minutes
por: Alexander L. Fattal
Publicado: (2025)

Uncertain futures, doubled freedoms, and a defense of misreading Marx
por: Ali Feser
Publicado: (2025)

Speaking from a dissonant place: Labor, family, and knowledge production across ethnographic media
por: Valentini Sampethai
Publicado: (2025)

Opaque encounters: Leaving the strange strange in ethnographic field photography
por: Brent Luvaas
Publicado: (2025)

“Life Ain't Gonna Be Like You Always Wanted”: Mixed media animation (charcoal, dirt, indigo dyed cotton, molasses, sugar, and watercolor on paper) by Rebecca Louise Carter, 2024
por: Joshua Babcock
Publicado: (2025)

Returning future‐making to the dispossessed: Science Fiction(s): If there were a tomorrow . Curated by StellaAssiimwe, ClaudiaAugustat, JonathanFine, UteMarxreiter, and TobiasMörike ( Weltmuseum , Vienna), March 30, 2023–January 9, 2024, https://sciencefictions.weltmuseumwien.at/en.
por: Priyanka Hutschenreiter
Publicado: (2025)

The Invisible Risks of Extractive Infrastructure Networks and Mining
por: Fernando Campos‐Medina, et al.
Publicado: (2025)

( I m)possible R ealism a counterpoint
por: James Clifford, et al.
Publicado: (2025)

Issue Information
Publicado: (2025)

The documentary film Hopa lide : The making of Romani representation
por: Petr Nuska
Publicado: (2025)

The Lesvos limbo: A visual memory from the periphery of Europe
por: Javier Toscano, et al.
Publicado: (2025)

First Time Home Co‐Directed by Esmirna Librado, Noemi Librado Sanchez, Esmeralda Ventura, and Heriberto Ventura
por: Leo R. Chavez, et al.
Publicado: (2024)

The Place Under the Bridge: A photo‐ethnography of a temporary dwelling
por: Sydney M. Silverstein
Publicado: (2024)

Shared anthropology of the Middle East: Essays on media in honor of Faye Ginsburg
por: Sherine Hamdy, et al.
Publicado: (2024)

Issue Information
Publicado: (2026)

“Come to life” realism: View‐Master reels and the legacy of stereoscopic imperialism
por: Gabbi Guedes
Publicado: (2024)

Embodied collaborations: Using virtual reality and spatialized sound to share sensible experience
por: Hugo Montero
Publicado: (2024)

Exploring the imperative of “relational documentary”: Process, power, and unruly collaboration in media production on Palestine
por: Amahl Bishara
Publicado: (2024)

Limbo
por: Eduardo Hazera
Publicado: (2024)

Higher truths and so‐called lies: Documentary's animated authenticity
por: Meghanne Barker
Publicado: (2024)

Worlding beyond worlds
por: Lee Douglas, et al.
Publicado: (2024)

Screenings from the archive: Nelisita (1982), an African vernacular‐language fiction set in rural southern Angola and its illuminating cinematic chain
por: Inês Ponte
Publicado: (2024)

Motherland: Pushpamala N's woman and nation. By Monica Juneja and Sumathi Ramaswamy (Eds.), New Delhi: Roli Books, 2022
por: Malvika Maheshwari
Publicado: (2024)

La Cité: Une Anthropologie Photographique
por: Clara Beccaro‐Lannes
Publicado: (2024)

The manners of digital distraction: Competing modes of attention and visual citizenship in Bangkok
por: Bronwyn Isaacs
Publicado: (2026)

Nothing is ever lost or forgotten: Searching for the traces of Mo Dickyi Sangmo
por: Harmandeep Kaur Gill
Publicado: (2024)

Capturing unseen presence: Christian Suhr’s Light Upon Light
por: Wytze Dijkstra
Publicado: (2024)

Visualizing erasure: Co‐creating comics and animation from revolutionary street art to Nubian memories of displacement in Egypt
por: Sherine Hamdy, et al.
Publicado: (2024)

Sama in the Forest
por: Michele R. Gamburd
Publicado: (2024)

Tactical Democracy: Brexit and Voting in Northern Ireland
por: Neil Nory Kaplan‐Kelly
Publicado: (2025)

Borders, labor, and beyond: Collective reflections on Harsha Walia's writing, activism, and influence on the anthropology of work
por: Stephen Campbell, et al.
Publicado: (2024)

Keeping Company: Exploring the Positive Dimensions of Emotional Labor in China's Pei Liao Industry
por: Manchun Du, et al.
Publicado: (2026)

Issue Information
Publicado: (2025)

Indigenous Men With Disabilities at Work: Corpospatial Reconfigurations in/of a Changing Rural Mexico
por: Joan Francisco Matamoros‐Sanin, et al.
Publicado: (2025)