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| Format: | Recurso digital |
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Zenodo
2018
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| Online Access: | https://doi.org/10.5281/zenodo.10347079 |
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| _version_ | 1866902154231414784 |
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| author | electricarchaeo |
| author_facet | electricarchaeo |
| contents | Just a test of the workflow described here: https://hcommons.org/deposits/item/hc:17869/ Still images extracted from https://www.youtube.com/watch?v=nSB2VeTeXXg ; stitched together with regard3d http://www.regard3d.org/ Interesting how the watermark came through the process. At anyrate, with more fiddling of the various parameters, I'm sure that better results could come through. The present object is generated using all of the defaults except in the compute matches step, where I dialed up the gain to 11 (as it were). Sort of a nightmare-Inception-style-o-thing going on, yeah. Source: Objaverse 1.0 / Sketchfab |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_10347079 |
| institution | Zenodo |
| language | |
| publishDate | 2018 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Archival footage of Pompeii turned into a model electricarchaeo Just a test of the workflow described here: https://hcommons.org/deposits/item/hc:17869/ Still images extracted from https://www.youtube.com/watch?v=nSB2VeTeXXg ; stitched together with regard3d http://www.regard3d.org/ Interesting how the watermark came through the process. At anyrate, with more fiddling of the various parameters, I'm sure that better results could come through. The present object is generated using all of the defaults except in the compute matches step, where I dialed up the gain to 11 (as it were). Sort of a nightmare-Inception-style-o-thing going on, yeah. Source: Objaverse 1.0 / Sketchfab |
| title | Archival footage of Pompeii turned into a model |
| url | https://doi.org/10.5281/zenodo.10347079 |