Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah

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Format: Recurso digital
Veröffentlicht: Zenodo 2020
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contents Natural Version with Paint, Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Will Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)]. Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day. Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques. Reality Capture and Substance Painter Source: Objaverse 1.0 / Sketchfab
format Recurso digital
id zenodo_https___doi_org_10_5281_zenodo_10351019
institution Zenodo
language
publishDate 2020
publisher Zenodo
record_format zenodo
spellingShingle Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah
GlobalDigitalHeritage
Natural Version with Paint, Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah. Three Syrian Will Ass. Likely Neolithic or earlier. [Fossati 2019 Messages from the Past: Rock Art of the Al-Hajar Mountains (Oman)]. Khatm Al Melaha is an archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day. Petroglyphs were identified using Radiance Scaling in Meshlab, materials lighting in Substance Painter, and by changing conditions in Sketchfab. Some carvings were completely invisible when viewing. Drawings were done only when a line could be identified using one of these techniques. Reality Capture and Substance Painter Source: Objaverse 1.0 / Sketchfab
title Petroglyph V2 Khatm Al Melaha, Kalba, Sharjah
url https://doi.org/10.5281/zenodo.10351019