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Auteur principal: Perc, Luciana
Format: Recurso digital
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Publié: Zenodo 2025
Accès en ligne:https://doi.org/10.5281/zenodo.15027156
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author Perc, Luciana
author_facet Perc, Luciana
contents 'The Listening Canvas' is an interactive sound installation that invites audiences to discover the sounds of found objects by way of engaging in tactile interactions with organic (grains, leaves, stems) and synthetic (plastics, cardboard, fabric) matter within an open canvas. This sound installation displays a canvas made of multiple synthetic materials surrounded by hanging found objects. Audiences are invited to produce sounds by touching the surface of the canvas with their hands or with leaves and other vegetal materials provided. This tactile interaction is captured by contact microphones placed on the verso of the canvas. The sounds are modified and diffused in real time through two transducers attached to hanging found objects used as resonators, such as a frying pan and a watering can. The installation enables a two-sided experience in which listening and sound-making are equally encouraged. The aim of this artwork is to engage wide audiences, including adults and children, in experimental sound-making and active listening practices. They will be offered the opportunity to actively participate by way of touching art objects in display, which is traditionally forbidden in exhibition spaces. The organic and synthetic matter used to produce sounds through the canvas surface is explored sonically in a way that fosters different modes of listening, challenging boundaries between nature and culture towards an ecofeminist configuration.
format Recurso digital
id zenodo_https___doi_org_10_5281_zenodo_15027156
institution Zenodo
language
publishDate 2025
publisher Zenodo
record_format zenodo
spellingShingle The Listening Canvas
Perc, Luciana
'The Listening Canvas' is an interactive sound installation that invites audiences to discover the sounds of found objects by way of engaging in tactile interactions with organic (grains, leaves, stems) and synthetic (plastics, cardboard, fabric) matter within an open canvas. This sound installation displays a canvas made of multiple synthetic materials surrounded by hanging found objects. Audiences are invited to produce sounds by touching the surface of the canvas with their hands or with leaves and other vegetal materials provided. This tactile interaction is captured by contact microphones placed on the verso of the canvas. The sounds are modified and diffused in real time through two transducers attached to hanging found objects used as resonators, such as a frying pan and a watering can. The installation enables a two-sided experience in which listening and sound-making are equally encouraged. The aim of this artwork is to engage wide audiences, including adults and children, in experimental sound-making and active listening practices. They will be offered the opportunity to actively participate by way of touching art objects in display, which is traditionally forbidden in exhibition spaces. The organic and synthetic matter used to produce sounds through the canvas surface is explored sonically in a way that fosters different modes of listening, challenging boundaries between nature and culture towards an ecofeminist configuration.
title The Listening Canvas
url https://doi.org/10.5281/zenodo.15027156