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| Format: | Recurso digital |
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Zenodo
2025
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| Online Access: | https://doi.org/10.5281/zenodo.15220990 |
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Table of Contents:
- <p>“The one and only technique to convey feeling in the procedure of art is by discovery <br>a “objective correlative,” wrote T. S. Eliot in his essay, “Hamlet and His Problems”(100). <br>When it moves toward desolation, the approach to prompt the hopeless is through an <br>abjective correlative: a mythical image of unhappiness, for according to Kristeva, such <br>meaning is “none but literature” (Powers 5). Language is the connection that associates the <br>desolation and literature, as Kelly Oliver composes in her book, Reading Kristeva: <br>Unraveling the Double-bind, “the horrible displays only inside secondary subjugation, <br>language” (59), and symbol, a type of semantic meaning in which the drives burst into <br>language” (74), design an attraction with poetry</p>