Turntable-Based Electronic Music and Embodied Audience Interaction
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| Auteurs principaux: | , , |
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| Format: | Recurso digital |
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Zenodo
2025
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| _version_ | 1866902336180322304 |
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| author | Hui, Tak Cheung Li, Xiaoqiao Kuo, Yu Chia |
| author_facet | Hui, Tak Cheung Li, Xiaoqiao Kuo, Yu Chia |
| contents | Rings… Through Rings transforms archival maps of Hong Kong's military fortifications into playable surfaces for turntable-based electronic music. Laser-etched discs encode cartographic data, producing sonic textures manipulated through turntables and enhanced by audio techniques like cross-synthesis, concatenative synthesis, and spatialization. Grounded in theories of transcoding, productive agency, and participatory culture, the project reimagines the turntable as a cultural interface, bridging analog heritage with computational sound. This hybrid system blends pre-composed musical structures with real-time audience interaction, allowing participants to alter playback, swap discs, and influence spatial audio. By merging cartography, sound, and participatory design, the work offers a collaborative, multisensory approach to intangible heritage. Future developments include expanded spatial configurations, real-time disc fabrication, and AI integration to deepen engagement and cultural reinterpretation. |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_15699598 |
| institution | Zenodo |
| language | |
| publishDate | 2025 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Turntable-Based Electronic Music and Embodied Audience Interaction Hui, Tak Cheung Li, Xiaoqiao Kuo, Yu Chia Rings… Through Rings transforms archival maps of Hong Kong's military fortifications into playable surfaces for turntable-based electronic music. Laser-etched discs encode cartographic data, producing sonic textures manipulated through turntables and enhanced by audio techniques like cross-synthesis, concatenative synthesis, and spatialization. Grounded in theories of transcoding, productive agency, and participatory culture, the project reimagines the turntable as a cultural interface, bridging analog heritage with computational sound. This hybrid system blends pre-composed musical structures with real-time audience interaction, allowing participants to alter playback, swap discs, and influence spatial audio. By merging cartography, sound, and participatory design, the work offers a collaborative, multisensory approach to intangible heritage. Future developments include expanded spatial configurations, real-time disc fabrication, and AI integration to deepen engagement and cultural reinterpretation. |
| title | Turntable-Based Electronic Music and Embodied Audience Interaction |
| url | https://doi.org/10.5281/zenodo.15699598 |