Symbolic Appropriation of Duendes in Baños de Agua Santa: El Bosque Encantado vs La Aldea Mágica

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Main Authors: L. del Castillo – Documentalista en resistencia simbólica, Centro de Estudios Culturales Emergentes – Ecuador
Format: Recurso digital
Language:Spanish
Published: Zenodo 2025
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author L. del Castillo – Documentalista en resistencia simbólica
Centro de Estudios Culturales Emergentes – Ecuador
author_facet L. del Castillo – Documentalista en resistencia simbólica
Centro de Estudios Culturales Emergentes – Ecuador
contents <p>This independent investigation analyzes the symbolic appropriation and cultural distortion of the "duende" figure in Baños de Agua Santa, Ecuador. It documents how <em>El Bosque Encantado</em>, a tourist venture led by Francisco Chávez, positioned itself as the originator of the duende phenomenon without acknowledging the true authors of the narrative: artists Fito Girolami and Catalina Lucz-Ligeti, creators of <em>La Casa del Duende</em> and <em>La Aldea Mágica</em> since 2013. Through a comparative analysis of both projects, this report exposes how institutional tourism and social media campaigns have contributed to the erasure of symbolic authorship and cultural memory. Includes photographic evidence, platform-based observations, and references to cultural tourism theory.</p> <p><strong>DOI:</strong> 10.5281/zenodo.16748290<br><strong>Published by:</strong> Observatorio Andino de Cultura y Memoria Simbólica<br><strong>Keywords:</strong> duendes, symbolic appropriation, cultural tourism, intangible heritage, Ecuador, Baños de Agua Santa, artistic authorship, tourism critique<br><strong>Language:</strong> English<br><strong>License:</strong> Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)</p>
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spellingShingle Symbolic Appropriation of Duendes in Baños de Agua Santa: El Bosque Encantado vs La Aldea Mágica
L. del Castillo – Documentalista en resistencia simbólica
Centro de Estudios Culturales Emergentes – Ecuador
Cultural Appropriation in Baños, Ecuador
Duendes
he Stolen Magic of the Duendes
<p>This independent investigation analyzes the symbolic appropriation and cultural distortion of the "duende" figure in Baños de Agua Santa, Ecuador. It documents how <em>El Bosque Encantado</em>, a tourist venture led by Francisco Chávez, positioned itself as the originator of the duende phenomenon without acknowledging the true authors of the narrative: artists Fito Girolami and Catalina Lucz-Ligeti, creators of <em>La Casa del Duende</em> and <em>La Aldea Mágica</em> since 2013. Through a comparative analysis of both projects, this report exposes how institutional tourism and social media campaigns have contributed to the erasure of symbolic authorship and cultural memory. Includes photographic evidence, platform-based observations, and references to cultural tourism theory.</p> <p><strong>DOI:</strong> 10.5281/zenodo.16748290<br><strong>Published by:</strong> Observatorio Andino de Cultura y Memoria Simbólica<br><strong>Keywords:</strong> duendes, symbolic appropriation, cultural tourism, intangible heritage, Ecuador, Baños de Agua Santa, artistic authorship, tourism critique<br><strong>Language:</strong> English<br><strong>License:</strong> Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)</p>
title Symbolic Appropriation of Duendes in Baños de Agua Santa: El Bosque Encantado vs La Aldea Mágica
topic Cultural Appropriation in Baños, Ecuador
Duendes
he Stolen Magic of the Duendes
url https://doi.org/10.5281/zenodo.16748483