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| Formato: | Recurso digital |
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Zenodo
2025
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| Acceso en línea: | https://doi.org/10.5281/zenodo.17424139 |
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- <p><span>Steve Sayles’s short story “The Story of Henry” is, beneath its surface humour, a metaphysical parable about the relationship between consciousness and the body—specifically, between the self and the brain. What begins as an absurd domestic scene of Charlie eating Cornflakes in the shower and watching <em>Thomas the Tank Engine</em> becomes a subtle allegory about agency, attention, and the limits of introspection.</span></p> <p><strong><span>The Brain as Other</span></strong></p> <p><span>The story’s opening line immediately dislocates the ordinary unity of selfhood: <em>“Charlie never had the best relationship with his brain.”</em> This simple statement performs a philosophical split: it implies that Charlie and his brain are not the same entity. The brain becomes an <em>Other</em>—a character with motives, secrets, and even resentment. Sayles’s personification of the brain dramatizes the ancient philosophical question: <em>Who is the “I” that thinks?</em></span></p> <p><span>From Descartes’s <em>cogito</em> (“I think, therefore I am”) to modern cognitive science, thought is often taken as the essence of selfhood. But Sayles reverses this assumption. Charlie is not identical with his thought, nor with the instrument that generates it. His brain <em>knows</em> what he is thinking; it has <em>its own agenda</em>. In other words, Charlie’s consciousness and his brain are in an uneasy alliance, an ongoing Cold War of awareness.</span></p>