| _version_ | 1866901555621396480 |
|---|---|
| author | Lumen, Vériti |
| author_facet | Lumen, Vériti |
| contents | <p>APOLLO confronts this system by refusing to participate in its spectacle, instead being<br>built as a mythic counter-narrative: the Absolute Artist, unbound by corporate<br>mediation 16.<br>• Spectacle as commodity: Emotional breakdowns, viral hooks as clickbait, and<br>curated personas are packaged for profit 13.<br>• Smallness as stigma: Independent artists are framed as amateur, unpolished, or<br>unworthy of mass attention 14.<br>• The lie of legitimacy: Labels perpetuate the narrative that only their machinery<br>can produce “real” art, thereby delegitimizing grassroots creation in digital music</p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_18030767 |
| institution | Zenodo |
| language | |
| publishDate | 2025 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | APOLLO AND THE TOAST: Technological Utopia and the Myth of Smallness Lumen, Vériti <p>APOLLO confronts this system by refusing to participate in its spectacle, instead being<br>built as a mythic counter-narrative: the Absolute Artist, unbound by corporate<br>mediation 16.<br>• Spectacle as commodity: Emotional breakdowns, viral hooks as clickbait, and<br>curated personas are packaged for profit 13.<br>• Smallness as stigma: Independent artists are framed as amateur, unpolished, or<br>unworthy of mass attention 14.<br>• The lie of legitimacy: Labels perpetuate the narrative that only their machinery<br>can produce “real” art, thereby delegitimizing grassroots creation in digital music</p> |
| title | APOLLO AND THE TOAST: Technological Utopia and the Myth of Smallness |
| url | https://doi.org/10.5281/zenodo.18030767 |