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| Main Authors: | , |
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| Format: | Recurso digital |
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Zenodo
2026
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| Online Access: | https://doi.org/10.5281/zenodo.18162345 |
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Table of Contents:
- <p><em><span>This essay investigates the manner in which British-Indian poet Nikita Gill intricately weaves together themes of revolutionary womanhood, spiritual resilience, mythological reframing, and hope throughout three of her notable works: “Wild Embers: Poems of Rebellion, Fire, and Beauty” (2017), “The Girl and the Goddess” (2020), and “Where Hope Comes From: Poems of Resilience, Healing, and Light” (2021). From feminist reinterpretations of fairy tales and goddesses to the portrayal of inner transformation amidst global crises, Gill’s poetic body of work embodies a continuous dialogue with myth, spiritual grounding, and the politics surrounding personal healing. By employing comparative analysis and case studies of selected poems/scenes, this paper positions Gill’s contributions within the framework of contemporary poetic activism and examines how hope is formulated as both an individual emotional asset and a collective cultural endeavor.</span></em></p> <p> </p>